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fulltimer56
06-03-2006, 05:34 AM
NEWS OF THE WEEK FOR MAY. 29, 2006

Page 1 of 3

Blade Runner Final Cut Due

Warner Home Video will issue a new remastered director's cut of the classic SF movie Blade Runner in September now that it has cleared up rights issues, followed by a theatrical release of a version promised to be truly director Ridley Scott's final cut, Variety reported. Warner's rights to Blade Runner lapsed a year ago, but the studio has since negotiated a long-term license.

The movie has a troubled history. When Scott ran over budget, completion bond guarantors took control of it and made substantial changes before its 1982 theatrical release, adding a voice-over and a happy ending. That version was replaced by the much better-received director's cut in 1992, but Scott has long been unhappy with it, complaining that he was rushed and unable to give it proper attention.

Scott started working on the final cut version in 2000, but that project was shelved by Warner soon after, apparently because the studio couldn't come to terms with Jerry Perenchio over rights issues.

The restored "director's cut" will debut on home video in September and will remain on sale for only four months, after which time it will be placed on moratorium. Blade Runner: Final Cut will arrive in 2007 for a limited 25th-anniversary theatrical run, followed by a special-edition DVD with the three previous versions offered as alternate viewing. Besides the original theatrical version and director's cut, the expanded international theatrical cut will be included. The set will also contain additional bonus materials.

Hatcher To Voice Coraline

Teri Hatcher will voice a dual role opposite Dakota Fanning in Coraline, an animated film from Laika Entertainment based on Neil Gaiman's dark fantasy book, according to The Hollywood Reporter.

Henry Selick (The Nightmare Before Christmas) will direct the adaptation, which will also feature songs from They Might Be Giants.

Hatcher will play both the mother of the title character (voiced by Fanning) and her other mother in a parallel universe.

In the book, Coraline steps into a world that appears to be a much better version of her own reality, but discovers it's not.

Next Season's Lost Sneaked

Producers of ABC's hit series Lost, which aired its surprising second-season finale on May 24, told SCI FI Wire that it sets up the upcoming third season, which will focus more on romance—and on the mysterious Others. "The Others are an important part of season three, and there's a lot of mysteries and a lot of questions about the Others that the audience is going to be curious about going into season three," said executive producer Carlton Cuse in an interview. "And those are the things we're going to explore."

Cuse added: "There will definitely be some new characters on the show next year. ... Obviously, Michael Emerson, who plays Henry Gale, he's someone who's going to be very prominent in the show next year." Fans were also introduced to a new character who promises to figure in next season's storylines: Penelope Widmore, played by Sonya Walger.

In the finale, viewers find out where Desmond (Henry Ian Cusick) was, what happens when the button doesn't get pushed, why the plane crashed and the fate of Michael (Harold Perrineau) and Walt (Malcolm David Kelley). At the end, Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway) are prisoners of the Others. And Claire (Emilie de Ravin) gives Charlie (Dominic Monaghan) a kiss.

"I'm excited about love in season three," said executive producer Bryan Burk, adding: "Don't forget now the people have been on the island for 60-plus days. They're now obviously more familiar with each other. ... The concept of love [is there], and ... it weaves its way through all of our characters. It's going to be much more prevalent in season three."

Now that Lost has finished shooting, the season-three writers met recently for a "boot camp" in Hawaii, where they broke the main story arcs for next year. "It's fun, because we're still kind of following on a macro level the same trajectory that we talked about years ago," Burk said. "The details are changing on this, and new characters that we hadn't thought about are here, ... but what's fun is kind of the whole big journey is still kind of where we had originally talked about it. And it feels as I had always said from day one, when I was doing interviews in season one, I kept saying that the show doesn't really start kicking in for me until seasons two and three. ... Somebody smarter than me recently said in a TV Guide letter, ... 'If you think you're still watching a show about people who crashed on an island, you're watching another show.' There's a lot going on, and as we move forward, ... we're getting deeper into the center of the onion." —Patrick Lee, News Editor

Ghost, Lost Seek Women

CBS' Ghost Whisperer and ABC's Lost are looking to cast new women to replace characters who met their demise in recent season finales, according to The Hollywood Reporter.

Ghost Whisperer is searching for an actress to fill the void left by the departure of Aisha Tyler, whose character died in the season finale.

Similarly, Lost is looking for two new actresses to join the cast in the wake of the demise of Michelle Rodriguez's Ana-Lucia and Cynthia Watros' Libby.

Lost 'Mobisodes' Feature Stars

Carlton Cuse, executive producer of ABC's hit series Lost, told SCI FI Wire that he and the show's creators are deeply involved in creating the upcoming "mobisodes," or mobile-phone episodes, which will feature the show's main cast of characters. "We were able to negotiate this deal, which is going to allow us to use our series regulars in these mobisodes," Cuse said in an interview at "Destination: L.A. 2," a fan charity party that took place in Glendale, Calif., over the weekend. "We don't want to do the 24 version, where you're dealing with characters you've never seen and have no relation to the central characters. We feel if we're going to do the mobisodes, they have to feature the characters that are part of the world of Lost that you know and love."

The mobisodes, available exclusively from Verizon in the fall, will be two- or three-minute segments spun off of the main series, Cuse said. He added that producers were able to incorporate the show's main characters, as played by the series' stars, as a result of special deals worked out with Touchstone Television, which produces the series, and the various unions representing the show's talent.

As for the mobisode storylines? "We have a concept for them," Cuse said. "You know, [series co-creator] Damon [Lindelof] and I have not written them yet, but we have a game plan." He added: "But the specifics of when they come on and how they'll be available and how you acquire them and everything, I think everyone's still trying to work all that out."

Meanwhile, game publisher Ubisoft announced a long-term worldwide licensing agreement with Touchstone TV to develop and publish a video game based on Lost. Developed by Ubisoft's Montreal studio, the game is slated to hit retailers in 2007 for home and portable consoles, as well as PCs. At the same time, McFarlane Toys will create a line of action figures based on the show's characters, timed for release this fall, when the third season premieres. The first batch of 6-inch figures includes Jack (Matthew Fox), Kate (Evangeline Lilly), Hurley (Jorge Garcia), Locke (Terry O'Quinn), Charlie (Dominic Monaghan) and Shannon (Maggie Grace).

The game, mobisodes and online alternate-reality game The Lost Experience all supplement the main show, Cuse said. "If you kind of liken it to an iceberg, you see the 20 percent of the iceberg above the waterline on the show," Cuse said. "I would say The Lost Experience is going to give you a view of a big chunk of the iceberg that's below the waterline. You don't need it to navigate the waters of the show, ... but it will really be rewarding for people who are more kind of deeply involved in Lost. ... You won't need any of that to go on watching the show, but it is part of the show mythology that we're going to be unveiling." The Lost second-season finale aired May 24 at 9 p.m. ET/PT. —Patrick Lee, News Editor

Lost Fans Party For Charity

Fans of ABC's hit series Lost raised about $5,000 for charity at "Destination: L.A. 2," the second annual fan party, at Solar Studios in Glendale, Calif. The money, from a silent auction of autographed memorabilia and other show-related items, went to the Children's Defense Fund, an organization favored by Lost co-creator J.J. Abrams, which works toward reducing the numbers of neglected, sick, uneducated and poor children in the United States.

About 130 fans—many denizens of the fan-run Fuselage message board—came to California from as far aways as Ireland and Wales, as well as Dallas and Philadelphia, for the party, which was put on by E.M.A. (One of E.M.A.'s principals, Allyson J. Beatrice, is the author of the upcoming Source Books title Will the Vampire People Please Leave the Lobby?, a collection of essays about fans of Buffy the Vampire Slayer.)

The fans were joined by Lost cast members Daniel Roebuck (Leslie Arzt) and William Mapother (Ethan); producers Carlton Cuse, Bryan Burk and Adam Horowitz; writer Christina M. Kim; and other staff members. Series co-creators Damon Lindelof and Abrams sent greetings by text message. —Patrick Lee, News Editor

Burk: Team Abrams On Trek XI

Lost executive producer Bryan Burk told SCI FI Wire that he will be part of the team developing a proposed 11th Star Trek movie, along with Lost co-creators Damon Lindelof and J.J. Abrams, who will direct. Abrams' longtime writing colleagues Alex Kurtzman and Roberto Orci, who co-wrote Abrams' Mission: Impossible III, will also be involved.

Burk said that he will be an executive producer of Trek XI. "We're all very excited," Burk said in an interview at "Destination: L.A. 2," a fan charity event in Glendale, Calif., over the weekend. But Burk declined to discuss details of the movie: "We actually have this thing where we're just not talking about it outside of ... us right now. And to say I'm excited is the understatement of the [year]. ... It's going to be pretty great."

Burk also dismissed earlier rumors that the movie would center on Spock and Kirk's first meeting at Starfleet Academy and their subsequent early adventures. "I can tell you that that article leaked out prematurely, so there's no formal statement made from any of us, other than we all couldn't be more excited about it," he said.

Burk also smiled when asked if Abrams' longtime friend and frequent star Greg Grunberg would appear in the Trek movie, as either a Klingon or a member of the Federation. "First of all, there's no way Greg Grunberg knows what the Federation is," Burk said with a laugh. But, he added: "When is Greg Grunberg not in a project that we [do]?"

Burk, Kurtzman and Orci have worked alongside Abrams on many of his projects, including TV's Alias. Burk is also an executive producer on Abrams' ABC shows What About Brian and the upcoming Six Degrees. —Patrick Lee, News Editor

Dresden Gets SCI FI Pickup

SCI FI Channel has ordered 11 episodes of The Dresden Files, a supernatural detective series based on Jim Butcher's best-selling books, the network said. Nicolas Cage's Saturn Films and Lionsgate TV will produce the series, which kicks off with a two-hour pilot in January.

Paul Blackthorne (24) plays Harry Dresden, a Chicago-based private detective who has the powers of a wizard. The Dresden Files will shoot in Toronto.

David Carson directed the pilot, which was written by Hans Beimler (Star Trek: Deep Space Nine) and Robert Wolfe (Andromeda); they will serve as executive producers of the series, along with Cage, Norm Golightly and Morgan Gendel.

X3's Phoenix Rises

NEW YORK—Famke Janssen, who reprises the role of Jean Grey in X-Men: The Last Stand, told SCI FI Wire that her character undergoes a transformation with digital visual effects, rather than makeup or prosthetics. (Spoiler information follows!) Janssen's Grey, the powerful telepathic mutant who appeared to perish at the end of X2, reappears in this third installment of the comic-book film franchise. But something isn't right with her, and she evolves into the Phoenix, whose dark powers pose a threat to all around her. Magneto (Ian McKellen) intends to exploit Phoenix in a battle with Homo sapiens and the X-Men aligned with Professor Xavier (Patrick Stewart).

To accomplish her transformation from Grey to Phoenix, Janssen said, "Everything was done in post [-production] and experimented with. ... We did several tests before we started shooting—which, thankfully, didn't make it to the movie—where [director] Brett [Ratner] had this idea for a second to have me look like a mannequin, like the way Jude Law looked in A.I. [Artificial Intelligence], with that kind of plastic-y skin, which would have been a disaster for me, because I have really sensitive skin. So we tried, and it didn't work out. It just didn't work. It didn't look right. But he had some idea of that maybe being a concept to go with."

Janssen added: "I had a different idea, personally, because I thought there was never a clear moment [where Grey transformed into the Phoenix]. She would go back and forth so much, I think. As written in the beginning, they sort of had an idea that she was going to be Jean, and then she's going to be Phoenix, and then Dark Phoenix. And when I read it, I said, 'I don't think that's the way it's going work.' ... You could never do it with makeup. It has to be done with acting, because it's a struggle within her. Sometimes one wins. Sometimes the other wins." X-Men: The Last Stand made its stand on May 26. —Ian Spelling

Jackman Kills In X-Men 3

NEW YORK—Hugh Jackman, who reprises the role of Logan/Wolverine in the sequel X-Men: The Last Stand, told SCI FI Wire that he engages in more fights and kills more people in this installment than in the previous films—so many, in fact, that some of his victims got edited out of the final film. "It was fantastic, and there is a good 50 [more] on the cutting room floor, trust me," Jackman said in an interview here. "I was like, 'Where are all those other guys that I killed?'"

Wolverine fights human soldiers and enemy mutants alike in the third movie based on the Marvel Comics franchise, in which a company comes up with a drug to "cure" mutancy. "With those scenes, you film them at night, and you're forever slipping on gravel and whacking guys in the head," the Australian-born Jackman said. "These stunt guys are tough, and one poor guy I clocked right in the eye, and he actually had this prosthetic that made his eye go like this, and I took half of the prosthetic off, and so we kind of kept filming, ... and the poor guy is on the cutting-room floor. That guy is like, 'I took a punch from Wolverine, and I'm not even in there!'"

Jackman added that he was pleased to have scenes in which Wolverine argues with Professor Xavier (Patrick Stewart). In The Last Stand, Wolverine clashes with Xavier when he learns that the X-Men leader may be restraining Jean Grey (Famke Janssen) from realizing the full extent of her powers, fearful that her dark side, called the Phoenix, may take over.

"Well, I loved that," Jackman said. "I think that it was always seen very clearly with Magneto [Ian McKellen], the ambiguities of his character. You can understand them, and in this one you can really understand why he takes the position that he does. And if you take that example, now there would be many people in this world who would just say, 'Let's just wipe [the mutants] out, because there are rogue elements there that are going to be disastrous. So let's just wipe them all out.' It's the easy fix."

Jackman said that Xavier's dilemma in The Last Stand brings to mind Nelson Mandela, the South African leader. "If you've ever read Long Walk to Freedom, Nelson Mandela's book, the last paragraph talks about, of everything that he had done, he still doesn't know if he did the right thing in his life, because by being the father to his nation and his cause he, in his words, was a terrible father to his children, and he sacrificed being a father to his children for the greater good. He still lives with that guilt and doubt as to whether he did the right thing. Xavier is Nelson Mandela. Xavier has got to have that ambiguity, too, and I think that it's explored really well in this one. He is going against nature, which is sort of against his philosophy, which is how he deals with Jean. He knows what's going to happen. He knows that people are going to die, and he knows that it's going to be apocalyptic." X-Men: The Last Stand opened on May 26. —Ian Spelling

X3 Magneto Shot Deleted

NEW YORK—Brett Ratner, director of the sequel X-Men: The Last Stand, told SCI FI Wire that he shot a scene featuring an Osama bin Laden-like Magneto (Ian McKellen) making threats in a tape recorded in an underground lair, but that the scene was deleted from the film's final cut. In the finished film, audiences will see a tape that Magneto recorded while in hiding, but the scene as it plays out differs from Ratner's initial conception.

"I think that was something that I came up with, which is because originally—and you will probably see this on the DVD—my original concept for Magneto was to have him like Che Guevara when we first saw him, ... in military fatigues with a long beard because he has been in hiding," Ratner said in an interview here. "I actually did a shot where he was in that underground lair with the long beard, and he's sitting there, and Pyro [Aaron Stanford] comes in and says, 'They've announced a cure.' That's the one scene that's not in the movie that I shot, which was fun. But that's how we came up with the tape." X-Men: The Last Stand opened on May 26. —Ian Spelling

X3's Paquin Faced Dilemma

NEW YORK—Anna Paquin, who reprises the role of Rogue in the upcoming sequel film X-Men: The Last Stand, told SCI FI Wire that she's pleased her character figures prominently in the story. In the third installment in the hit comic-book franchise, Rogue faces a decision whether to take a so-called "cure" to suppress her mutant gene, enabling her to enjoy a more normal relationship with her boyfriend, Bobby Drake/Iceman (Shawn Ashmore).

"How big or small or important or not my character, per se, is to the story is never really something that registers with me," Paquin said in an interview here. "I was just happy that I got some interesting scenes to do, that had an emotional job at hand [and] that [were] going to be somewhat challenging. Because there isn't always a lot of that in these kinds of movies. I felt really lucky that once again the writers hooked me up with some interesting stuff to do."

In the movie, battle lines are drawn between mutants who oppose a new drug that can suppress mutancy and those who would promote it. "I just thought it was a really interesting concept for a movie as far as what happens next," Paquin said. "You see different kinds of bickering and butting heads between the mutants themselves, and it's like, 'What if they are butting heads with the whole world? How does that really affect things?' I just thought it was a great new challenge to throw at everyone."

The Canadian-born, New Zealand-raised Oscar winner (for The Piano) added that she understood Rogue's situation. The character is firmly on the side of good and wants to remain a member of the X-Men, but it's a struggle, because she simply can't touch the people she loves without harming them. "I think that is a very natural thing," Paquin said of Rogue's emotional struggle. "I mean, babies that are left alone in orphanages to cry in their cribs have huge problems. You need physical contact. It is like the most basic thing. Literally, a child would die when they are very small without it. To be isolated like that is an incredibly painful thing." X-Men: The Last Stand opened May 26. —Ian Spelling

Da Vinci Begets Angels

In the wake of the success of The Da Vinci Code, Sony has signed that film's writer, Akiva Goldsman, to adapt author Dan Brown's first religious thriller, Angels & Demons, a prequel, Variety reported. Code has grossed $231.8 million worldwide in its first five days of release.

Development of Angels & Demons is still in the early stages, but the studio is planning to reassemble the Da Vinci Code producing team of Brian Grazer and John Calley for the project.

No deals are set yet for Code director Ron Howard or star Tom Hanks to return, but both would have first crack at the project.

Code was the second of Brown's novels centering on Robert Langdon, a Harvard professor who's an expert in religious symbols. Angels & Demons, published in 2000, introduced the Langdon character. Langdon tries to solve a murder and unravel a plot by an ancient group, the Illuminati, to blow up the Vatican during a papal conclave.

Da Vinci Defies Critics, Protests

Controversy and bad reviews didn't stop Ron Howard's The Da Vinci Code from debuting on the May 19 weekend with the largest domestic box office of the year, taking in about $77 million, the Associated Press reported. The film's three-day opening worldwide take was even better: $224 million, second only to Star Wars: Episode III—Revenge of the Sith. The film also was the best domestic opening for both star Tom Hanks and director Howard.

Over the Hedge, meanwhile, opened in second place for the weekend, with $37.2 million in domestic box-office receipts.

The Da Vinci Code, based on Dan Brown's best-seller, received mixed reviews, and protesters picketed outside a number of theaters, upset over the story's suggestion that Jesus Christ was married and had a child. But the controversy did little to deter moviegoers, who packed theaters in almost every country the film debuted, the AP reported.

Da Vinci Game Available

Game publisher 2K Games has shipped a video game based on The Da Vinci Code, Dan Brown's controversial book and its film version, which opened over the weekend. In the game, players unravel clues to understand the story behind the movie; 2K previewed the game at the Electronic Entertainment Expo in Los Angeles earlier this month.

"This game stands on its own," a 2K representative told SCI FI Wire at E3. "It has clever puzzles [and] a really cool grappling system and goes pretty deep into the story. So it definitely is a great game in its own right."

The Da Vinci Code is an action adventure game that doesn't retread the story of the book or film directly, but rather offers new adventures featuring protagonists Robert Langdon and Sophie Neveu. Gamers will play each character at different times as they investigate an occult-related murder, encounter clues and unravel a mystery. The game doesn't have traditional weapons such as guns or knives, so players must look to items in the environment to use for fighting. A "grappling system" allows players and enemies to engage by grabbing each other's shoulders, and a cutscene minigame comes up that requires a well-timed, precise sequence of button pushing to start a successful attack.

Once players solve puzzles, the information is entered into a journal of sorts that players can access at any time. Players take turns between playing Langdon and Neveu, sometimes working together as a team. The game also features several unlockable bonuses, including two levels that open up once players solve all the puzzles. The Da Vinci Code is now available for the Xbox, PlayStation 2 and PC. —Casey Lynch

fulltimer56
06-03-2006, 05:38 AM
Part 2 of 3

Omen Owes Much To Original

NEW YORK—John Moore, who directed the upcoming remake of The Omen, told SCI FI Wire that he's as surprised as anyone that David Seltzer, who penned the 1976 original movie, ultimately received a sole screenwriting credit on the remake, though Seltzer didn't work with Moore and had no input into the updated horror movie. "Dan McDermott was a credited writer, but due to the machinations of the [Writers Guild of America], he lost his credit," Moore said here in an interview. But, he added: "We did use Mr. Seltzer's script extensively."

As in the original The Omen, which was directed by Richard Donner, the remake centers on Damien (Seamus Davey-Fitzpatrick), the child of a diplomat father, Robert Thorn (Schreiber), and his devoted wife, Katherine (Julia Stiles). By the time the boy turns 6 years old, it becomes apparent to the Thorns that their son is the young Antichrist. For the remake, the story is made more contemporary, and there's a good deal of new dialogue, but none of the changes were made by Seltzer.

"He didn't work on the movie," Moore said. "I've never met the gentlemen, never even spoken with him. But when I was given the project, I was sent [the script] 'The Omen by David Seltzer, copyright 1975.' I didn't feel a great need to rush out and fix what wasn't broken. The story of the movie is extraordinarily good and extraordinarily tight. Especially by today's script standards, it's a damn good script. So I didn't feel the need to completely rework it."

Likewise, Moore elected to echo much of Donner's work, from the overall mood and tone to several specific shots. Still, Moore feels he's put his own touches on the material. "I think I did, by default," he said. "It's a different cast; it's a different movie; it's a different experience. The story is the same. I don't mean this in a flattering way to myself; I mean it in a flattering way to the text. It's a bit like a Shakespeare play. You very much want people to enjoy the experience of the play, but the text is so good, and the story tracks so well, that you feel inclined to stick with that. I asked Richard Donner to see the movie, which he did [recently]. He's happy with it." The Omen opens on June 6, or 6-6-'06. —Ian Spelling

Omen's Moore Referenced 9/11

NEW YORK—John Moore, director of the upcoming remake of the horror film The Omen, confirmed to SCI FI Wire that his decision to use footage from Sept. 11, 2001, drew a hostile response during a question-and-answer session following a recent screening in New York. A heckler was furious that Moore chose to use footage of the damaged World Trade Center towers as a means of updating the story and bolstering the film's conceit that the Apocalypse is upon us.

"We showed the movie [on the evening of May 16] to writers and commentators," Moore, a native of Ireland, said in an interview here. "During the introduction to the Q&A, a gentlemen purported to have a question, which really turned out to be a statement. He asked if I was from New York, and I said no. Then he said, 'How dare you use an image of 9/11, and your movie's a piece of sh--t.' And then he stormed off."

Like the original 1976 Omen, which was directed by Richard Donner, the remake centers on Damien (Seamus Davey-Fitzpatrick), the child of a diplomat father, Robert Thorn (Schreiber), and his devoted wife, Katherine (Julia Stiles). By the time the boy turns 6 years old, it becomes apparent to the Thorns that their son is the young Antichrist.

In addition to the images of the twin towers, the film also features photographs or footage from other recent atrocities and tragedies.

With regard to the 9/11 images, Moore said, "I did stay up late at night wondering whether or not to use that in the movie. Other people said, 'For God's sake, use Rwanda' or something like that. Which in and of itself is interesting. But you'd have to be churlish to not understand that this is America. If you're using images of pain that happened in America, and you're showing it to Americans, you can expect there to be an emotional reaction."

Moore added: "Believe me, I looked into a lot of cases of pure evil, and it's undeniable that looking at the last few years you can't walk away thinking that's not one of the most significant events. That's why it's used. I tried to use it in an analytical context. I didn't use it to get people upset." The Omen opens on June 6, or 6-6-'06. —Ian Spelling

Stiles' Youth Works In Omen

NEW YORK—Julia Stiles, who plays Katherine Thorn in the upcoming horror remake The Omen, told SCI FI Wire that she's younger than Lee Remick, who played the mother in the original 1976 movie, but that her youth works in the film's favor. Like Remick, Stiles plays the adoptive mother of Damien (Seamus Davey-Fitzpatrick), the 6-year-old boy who turns out to be the Antichrist and seems eager to kill her.

Stiles is 25 years old; the late Remick was 30 in the original film. "I think it actually really works that I'm a young mother in this, because if Katherine Thorn were a more mature, experienced mother, she would be able to identify that things were wrong sooner," Stiles said in an interview here. "But, also, she wouldn't be so full of self-doubt. She wouldn't be afraid to assert herself or afraid to discuss it with her husband [Liev Schreiber], and I think that, because I'm a young mother, it makes sense that I blame myself for it."

Stiles said that she doubts that audiences will dislike Katherine just because Katherine comes to fear and arguably even hate her son. "I actually hope not, but I think it's more complicated than that," she said. "We don't even know so much what my character is feeling. I don't think she goes so far as wanting to kill him. I think throughout most of the film, she has mixed feelings about her son and is afraid to voice them, because it's taboo, and it would be very hard for a mother to admit she's suspicious of her son or afraid of him or that there's something off about him. And I think that's actually what makes her situation worse and ultimately why she says she needs to see a psychiatrist." The Omen opens on June 6, or 6-6-'06. —Ian Spelling

Schreiber: Omen Still Scary

NEW YORK—Liev Schreiber, who stars in the upcoming horror film The Omen, told SCI FI Wire that he was undaunted by the prospect of remaking the 1976 original film, as he'd already been through the remake experience with 2004's The Manchurian Candidate, an update of the 1962 original. "Well, I do think that, having been through this before on Manchurian Candidate and, to some degree, RKO 281 [an HBO movie about the making of Citizen Kane], I guess that I had kind of made my peace with it for two reasons," Schreiber said in an interview here. "One is that I'm a professional actor, and it's my job, and the other is that I think good stories have a way of retelling themselves."

Schreiber (Scream, Sphere) added: "If I look at the model of Shakespeare's plays, having missed the original production of Hamlet, I'm very glad that they did it a couple of times afterwards. I kind of feel that way in particular about The Omen, and I did feel that way about Manchurian Candidate as well. I felt like they were stories that, in the retelling, had a poignancy and a prescience that was specific to the time that they were told."

Like the original The Omen, which was directed by Richard Donner, the remake centers on Damien (Seamus Davey-Fitzpatrick), the child of a diplomat father, Robert Thorn (Schreiber), and his devoted wife, Katherine (Julia Stiles). By the time the boy turns 6 years old, it becomes apparent to the Thorns that their boy is the young Antichrist.

Schreiber said that he believes the devil is still scary, even in 2006 and even after all the real-world horrors that have occurred since 1976. "I do, I do," he said. "I'm not entirely sure if it is merely the Christian embodiment of the devil that scares people, but I think that the idea of the manifestation of evil is something that still really, really gets people. I think that there is a reason why in 1976 this film rattled so many people. I think that there is potential that in 2006 the conditions are similar and that it will rattle people again." The Omen opens on June 6, or 6-6-'06. —Ian Spelling

[b]4400 Returnees Revealed

Ira Steven Behr, co-creator of USA Network's SF series The 4400, told SCI FI Wire that the series will bring back guest stars Peter Coyote and Jeffrey Combs in the upcoming third season, but that fans may have to wait a bit to see the resolution of last season's cliffhanger, which featured the mysterious reappearance of Billy Campbell's Jordan Collier. "We're gong to tease this a little longer, partially because Billy Campbell is on a tall ship cruise around the world as a crew member, not as a passenger. He's up there in the riggings," Behr said in an interview earlier this year. " it will be worth the wait, that's all. We've come up with an idea for him that I think is very good, and the way you saw him at the end of last season, with that beard and that hair, I think, is going to play a part in his character, so that might give you some idea." At the end of last season, fans saw what appeared to be 4400 leader Collier on a beach, though he was supposedly assassinated earlier in the year.

Behr added that the new season will bring back new regular cast member Karina Lombard as Alana Mareva, who was introduced as the love interest of Joel Gretsch's Tom Baldwin last year. "I think she's going to be in 10 out of 13 episodes playing Alana, Tom's lover and 4400 member," Behr said. "And I think that relationship and her abilities are going to have a big impact this season."

Next season will also see the return of "the equally lovely and talented Jeff Combs, who I worked with numerous times in the past," Behr said, with tongue in cheek. Combs, who worked with Behr on various Star Trek projects, will again play Kevin Burkhardt, a brilliant but troubled scientist who played a key role in last season's finale.

And former series regular Peter Coyote, who played the nefarious NTAC chief Dennis Ryland, makes an appearance. "He's in for a nice couple of episodes," Behr said. "Peter came back last year at the end, in those two episodes, and he ... scored hugely. He was in what could be an unsympathetic role, I'd say, and yet made it so cogent and so clear and his point of view was so well stated that you just want to see more of him. ... We're not going to see Dennis Ryland back as the head of NTAC. Those days are certainly gone. But he will still play a decisive role in the series, and I think that he'll have a lot of fun." The 4400 returns with 13 new episodes starting June 4. USA Network is owned by NBC Universal, which also owns SCIFI.COM. —Patrick Lee, News Editor

[b]Garris Unveils New Horror Slate

Mick Garris, executive producer of Showtime's Masters of Horror anthology series, told SCI FI Wire the upcoming second season will feature several new directors, including Brad Anderson, Ernest Dickerson and Tom Holland, and that he himself will helm an episode based on a Clive Barker idea.

"We have a few new people and a lot of returning directors, and some of the new directors include Brad Anderson, who did The Machinist and Session 9, a couple of my favorite really unique individual vision kind of things," Garris said in an interview. "Tom Holland, who did the original Chucky [movie] Child's Play and Fright Night, ... [and] Ernest Dickerson, who did Bones and Demon Night, the first Tales From the Crypt movie. So it's really going to be great."

Garris, who helmed the first-season episode "Chocolate," will direct "Valerie on the Stairs." "This one is going to be ... a lot more horrific than 'Chocolate' was, and it's based on a Clive Barker story, an original treatment he wrote for us," Garris said. "It's sort of a ghost story, but with Clive Barker's involvement, you can guess it turns rather sexually twisted at times."

The second season, which debuts in the fall, will again comprise 13 original one-hour films. Directors returning for a second outing include Dario Argento (Suspiria), John Carpenter (Halloween), Joe Dante (The Howling), Stuart Gordon (Re-Animator), Tobe Hooper (Texas Chain Saw Massacre) and John Landis (An American Werewolf in London).

The second season will feature stars that include Sean Patrick Flanery, Ron Perlman, Meat Loaf, Michael Ironside, Marisa Coughlan, George Wendt, John Saxon, Ted Raimi, Caitlin Wachs, Meredith Monroe and Matthew Keeslar.

Following is a partial lineup of episodes:

"Family," directed by Landis and written by Brent Hanley, tells the story of a young married couple (Monroe and Keeslar), who move into a new home in a new city and find out that their neighbor (Wendt) is not what he seems.

"Pelts," directed by Argento, written by Matt Venne, adapted from F. Paul Wilson's short story, is an erotic tale about stolen raccoon pelts that violently turn against those who covet them in this Giallo-style adaptation of Wilson's story. Meat Loaf and Saxon star.

"The Damned Thing," directed by Hooper, inspired by Ambrose Bierce's classic short story and written by Richard Christian Matheson, is the apocalyptic tale of a monstrous force that devastates Sheriff Kevin Reddle's family and his small Texas town. Flanery, Coughlan and Raimi star.

"Pro-Life," directed by Carpenter, written by Drew McWeeny and Scott Swan, tells the story of a young girl trapped inside a clinic, who discovers that the only thing more dangerous than her pursuers is the demonic secret that she carries within her. Perlman and Wachs star.

"The V Word," a vampire film directed by Dickerson and written by Garris, reveals the punishment visited upon two teenage boys who make the very poor decision to break into a mortuary. Ironside stars.

"Sounds Like," directed and written by Anderson, adapted from a short story by Mike O'Driscoll, tells the story of Larry Pearce, an ordinary man blessed with a gift of extraordinary supernatural hearing, which drives him to the brink of insanity and forces him to take violent action to silence the horrific cacophony in his head.

"The Screwfly Solution," directed by Dante, written by Sam Hamm and adapted from the Raccoona Sheldon short story, is about a nightmare virus infecting the nation, transforming men into psychotic killers who attack every woman who crosses their paths.

"Valerie on the Stairs," directed and written by Garris from a Barker original screen story, tells the tale of a novelist who discovers there are fates worse than literary anonymity.

"We Scream for Ice Cream," directed by Holland from David J. Schow's adaptation of John Farris' short story, depicts a loca

l ice cream man who, in this case, is turning sweet-toothed children against their parents.

"The Black Cat," directed by Gordon and written by Gordon and Dennis Paoli, has the great Edgar Allan Poe, out of ideas and short on cash, tormented by a black cat that will either destroy his life or inspire him to write one of his most famous stories. —Patrick Lee, News Editor

Grudge Writer Does Zero

Stephen Susco, writer of the U.S. version of The Grudge and its upcoming sequel, The Grudge 2, told SCI FI Wire that he has turned his pen to a supernatural war story called Zero Dark Thirty. "It's about a Vietnam soldier who dies over in Vietnam, but then mysteriously shows up back in his hometown," Susco said in an interview. "And there's something a little bit off about him. And a buddy and I got the rights and developed the story together, and I wrote it, and he's going to be directing it, and we start shooting in July." Susco's buddy is John Stalberg, who produced and directed an independent relationship film called Mr. Dramatic.

Susco is also writing Crawlspace, an update of the 1960s Herbert Lieberman novel, which was previously adapted for television in 1972, about a childless middle-aged couple who adopt a troubled youth they find living in their crawlspace. "It's something I'm writing for Paramount, and we're still scripting it, so it's still in development," Susco said. Meanwhile, The Grudge 2, directed by Takashi Shimizu and starring Amber Tamblyn, is slated for release in October. —Patrick Lee, News Editor

Dead Seeks Famous Ghosts

Self-styled spiritualist Chris Fleming, whose Biography Channel series Dead Famous: Ghostly Encounters is gearing up for its fourth season, told SCI FI Wire that he will branch out from celebrities into historical figures. For three years, Fleming has teamed up with British actress and skeptic Gail Porter to attempt contact with the spirits of Lucille Ball, Alfred Hitchcock, Buddy Holly, Marilyn Monroe, Elvis Presley, Al Capone and others. This season, the real-life Mulder and Scully are going after Billy the Kid, Andy Warhol and Nat King Cole.

"This may be the last season," Fleming said in an interview. "We're on hiatus, and Gail has said she doesn't want to do this anymore." While taping the show in Los Angeles last year, Porter lost her long blond hair nearly overnight from the auto-immune illness alopecia. Fleming added that Porter is becoming less of a skeptic as she experiences some frightening moments, such as her body's being taken over by a spirit.

"Gail has seen and experienced a lot of things even beyond what we have on camera, but she doesn't want to believe it," Fleming said. "She begins to make excuses and clams up and pretends like things never really happened."

Recently, the duo tried to reach Rita Hayworth and Bing Crosby; Fleming said that Porter tried to rationalize and explain away some of the electronic voices and strange sounds recorded by their camera crew. "There are so many things that we didn't capture on camera, or things that were cut, like when we were in a bungalow in New Mexico and Gail heard someone weeping in a bathroom stall and no one was there," he said. "Then there was a series of footsteps, and she found nothing when she looked."

Fleming calls himself a "sensitive" and has recordings of spiritual contacts on his official Web site . For the future, he said that he wants to continue with his own paranormal show. "There is so much that we have recorded and you haven't seen," he said. "The show is edited to be scary, and a lot of what we saw isn't scary, but spiritual."

While shooting an upcoming episode of Dead Famous, Fleming said that he and Porter tried to contact Billy the Kid, but that she was felled by a spirit "walk-through": a ghost overtook her body. Some parts of that experience will make it into the final cut. But Porter insisted that nothing paranormal occurred.

In another episode, in which the pair reach out for late film star Rita Hayworth at the Silent Movie Theatre in Los Angeles, Fleming said they caught a ghost cat scampering across the screen. That footage doesn't make it into the show. "It very clearly wasn't dust, and I never saw anything like that ever captured on camera, and that's a shame," Fleming said. "But I am creating a show where I will try to convey the moral messages and spiritual understanding I have gathered from the three years of doing this. It should be more than just getting people scared. I've seen tons of ghosts. We can learn from them. We only use 10 percent of our brain and sight, and our hearing is not as good as other species. People need to open their eyes and turn the lights on to it." Dead Famous: Ghostly Encounters returns in the fall. —Mike Szymanski

Stormwitch Has African Roots

Young-adult-fantasy author Susan Vaught, whose novel Stormwitch just won the inaugural Carl Brandon Society Kindred Award, told SCI FI Wire that the book is inspired by the real-life "Amazons" of Dahomey, an African kingdom in what is now the country of Benin. The protagonist, Ruba, is "a young, powerful warrior yet to find the center and truth of her own strength," Vaught said in an interview. "As I researched the 'Amazons' of Dahomey, Ruba took more firm shape, and the story poured out in a matter of weeks. Ruba's voice felt unstoppable to me. The child had to have her say."

Fifteen-year-old Ruba is a "storm-chanter" and descendant of the fierce War Women of Dahomey, whom Vaught called the real Amazons. "After a childhood in Haiti, Ruba finds herself transplanted to coastal Mississippi under the care of her Grandmother Jones," she said. "A stern Christian, Grandmother Jones rejects the Old Ways. Calls them hoodoo, ... and Grandmother Jones wants nothing to do with Ruba's magic. But off of Africa's Slave Coast , a wave rises. As Ruba struggles with Grandmother Jones and the violent racism of her new home, that wave grows into Hurricane Camille. ... Wild dreams of African ancestors warn Ruba of the storm's strength [and] of the terrible vengeance planned by powerful Fon witch Zashar. If Ruba doesn't earn the trust of Grandmother Jones and her new friends, if she doesn't learn to believe in herself again and find her warrior's courage to fight the witch, she may lose everything. Again."

The Kindred Award is a new literary prize to be presented annually by the Carl Brandon Society to recognize excellence in speculative fiction that deals with issues of race and ethnicity. Vaught received the award at WisCon 30, which took place May 26-29 in Madison, Wis.

Vaught said that she believes the Kindred Award is an important addition to the top-level speculative fiction prizes, such as the Hugo Award and the Nebula Award. "People of color continue to be underrepresented in speculative fiction, both as authors and characters," said Vaught, who is Caucasian. "In my opinion, many portrayals of ethnic characters in speculative fiction still tend toward stereotype instead of archetype, and we are only beginning to explore the rich, mystical archetypes of cultures all over our world. I hope [this award] will shine a spotlight not only on where we are, but where we need to go."

Up next for Vaught is the non-speculative Trigger (September). But Vaught promised: "I also have several fantasy stories in progress! I can't stay away from magic and speculative fiction for long." —John Joseph Adams

Lemmings Now On PSP

Sony has resurrected the little green-headed weirdos with a death wish for Lemmings, a video game now available for the PSP. The latest iteration of the well-known strategy puzzler features fast scenarios in which players must successfully guide a horde of smiley, dimwitted lemmings safely from spawn portals to exit. In the last 15 years, Lemmings has been ported for almost every handheld and console system imaginable, going back as far as the Lynx and Commodore 64.

Matt O'Driscoll, a producer at Sony, told SCI FI Wire that Lemmings was the ideal choice for a port to the PSP because of its easy and fun gameplay. "The suitability of its pick-up-and-play-for-five-minutes-or-an-hour [format] fits the play patterns of mobile gamers perfectly," O'Driscoll said. "I personally think the reasons for it coming to the platform is that good gameplay never dies. Lemmings deserved to be resurrected and punted out to as wide an audience as possible. Certainly, the reaction we've had to it has been brilliant."

The premise of the game is simple: Players must ensure that the hapless Lemmings don't meet an untimely death by a variety a means. If the player isn't fast and creative, the Lemmings will walk off ledges, fall into fire pits or molten lava or be jabbed with mechanical spikes. Players guide the Lemmings by selecting command prompts—such as bashing, digging, building, climbing, mining and bombing—to move safely from entrance to exit. Because the formula is largely intact from previous versions of the game, little has been altered in the actual gameplay, save the addition of 36 new levels and all-new updated graphics.

"It's worlds apart visually from older ports, like the GBA version," O'Driscoll said. "The PSP version uses the PSP graphical capabilities well, and we've got a smooth and stunning-looking game that uses very high-resolution landscape graphics. In addition, there are all the original levels (all 120 of them!), plus 36 newly designed levels, a level editor, and the ability to share your levels and download others over the Internet." Lemmings is on sale now and carries a suggested retail price of $39.99. —Casey Lynch

Stars Sought For Next

A speaking role in the upcoming SF movie Next is the grand prize in Starz's original reality "micro-series" Looking for Stars. The Revolution Studios action-adventure movie stars Nicolas Cage and Julianne Moore and is based on the Philip K. Dick short story "The Golden Man." Starz Entertainment Group and Revolution Studios made the announcement.

In Next, Cage plays a man with the ability to see future events and affect their outcome. Relentlessly pursued by the FBI, which is seeking to use his abilities to prevent a global terrorist threat, he is ultimately faced with the choice of saving himself or the world. Next will also star Jessica Biel and is being directed by Lee Tamahori. It will be released in 2007.

Looking for Stars will follow nearly 200 contestants from their first auditions through the appearance of the winner on the film set. The 14-episode series, hosted by former MTV personality Alan Hunter, is the first reality show of its kind: Each episode is just 10 minutes long. Looking for Stars will premiere at 8:50 p.m. ET/PT on June 19 on Starz and will run through September.

Fans Screen Serenity For Charity

Fans of Joss Whedon's Serenity movie are sponsoring screenings in several cities on June 23—Whedon's birthday—to benefit the director's favorite charity, Equality Now. The campaign, called "Serenity Now, Equality Now," has slated screenings in Austin, Texas; Boston; Dallas; Los Angeles; Milwaukee; Minneapolis; New York; Seattle; and other cities, about 40 around the world.

Serenity, released theatrically in 2005 and now available on DVD, is based on Whedon's short-lived Fox TV series Firefly. Loyal fans of the franchise call themselves Browncoats, a reference to the characters' signature outerwear.

Equality Now works to end violence and discrimination against women and girls around the world through the mobilization of public pressure.

Pern Heads To Big Screen

Anne McCaffrey's best-selling and long-running SF book series The Dragonriders of Pern will be adapted for the big screen by Canadian production company Copperheart Entertainment, according to The Hollywood Reporter.

Copperheart, which was behind the 2005 Oscar-winning animated short Ryan, has optioned the 19-book series, which began with Dragonflight in 1968. The books are best known for having humans ride dragons with which they telepathically bond. With Dragonflight, McCaffrey became the first woman ever to win a Hugo Award for fiction, and she is one of the 2006 inductees into the Science Fiction Hall of Fame.

Copperheart, run by Steve Hoban, also has produced the Imax 3-D movie Cyberworld.

Pern nearly came to TV in a 2001 series for The WB from Battlestar Galactica creator Ronald D. Moore, but the network pulled the plug on the pilot after Moore refused to make changes to the Pern mythos that he thought would harm its integrity.

Okami Mimics Japanese Prints

Capcom's upcoming PlayStation 2 video game Okami, which previewed at this month's Electronic Entertainment Expo in Los Angeles, is a mythical tale of global salvation that features vivid Hokusai-style Japanese woodblock-print visuals. An E3 demo featured a unique style of combat inside "Demon Gates," which a Sony Computer Entertainment representative described to SCI FI Wire as a recurring element, similar to the Oblivion Gates in Elder Scrolls IV. "The gates are used by demons to get into this realm, but they are also battle areas," the Sony representative said. "Once inside, players will take on various size and groupings of beasts, with the goal of restoring the life force of the world."

In Okami, Earth has become a lifeless place, and the player takes on the role of Ama Tersau, a sun god who appears as a wolf, who must bring life back to the world. Doing so requires closing the Demon Gates and defeating lots of beasts. The world's life force is restored incrementally, as colors and, eventually, people appear with each beast's defeat.

The combat system in the game features a massive paintbrush as a weapon of sorts, as well as the typical melee fare. Players can "paint" various attacks onto smaller creatures and block the attack of larger creatures. This "paint" attack pauses the action, enabling Ama Tersau to engage in a melee attack with some magical slashing.

Okami is the first original title from Capcom's Clover Studio and has received critical accolades for its unique visual style and combat systems. The official PlayStation magazine and Electronic Gaming Monthly have both praised the title, and it recently won Best Overall Adventure Game at E3 2006 from IGN.com. Okami is scheduled for release on Sept. 12 exclusively for the PlayStation 2. —Casey Lynch

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Bomberman Is Reimagined

Konami has reimagined the classic 16-bit video game Bomberman as Bomberman: Act Zero, complete with armored battle suits, cybernetic warriors and a new multiplayer mode on Xbox Live for the upcoming Xbox 360. Kit Ellis, a spokesperson for Konami, told SCI FI Wire that the new look combines with new gameplay modes. "There's a lot of variety in Bomberman, from a great single-player campaign to plenty of online action," Ellis said. "You can play in third person or in FPB—'first person bomber'—through the single-player campaign, and the online game should be a big hit on Xbox Live."

The game takes place on a desolate and apocalyptic Earth, where humans must wear armored suits and battle in bombing mazes against each other. Players can fight for survival through the single-player game's 99 levels or face off online with up to eight players in multiplayer matches.

The game features plenty of customization options as well. Players can choose between male and female characters and among eight different color palettes. The gameplay in the first mode is last-man-standing style: Players jump into a grid, collect bombs and power-ups and destroy enemies and destructible blocks. The levels are timed: After the limit is reached, blocks will fall from the sky. The last player standing wins the level.

Konami includes a no-save ability in the 99-level mode. Players can collect lives, but if players die, even on level 99, they'll have to start at the very beginning again.

There are more than 50 achievements, including rewards for unlocking secret panels or killing 100 people, for example.

Multiplayer gaming will be offered only on Xbox Live, not System Link. There will be a world-ranking system, as well as an option to play ranked and unranked games. Bomberman will be released this summer for the Xbox 360, with a suggested retail price of $39.99. —Casey Lynch

U.K. SF Pioneer Guest Is Dead

Val Guest, the versatile British director and screenwriter best known for directing the science fiction classics The Quatermass Xperiment and The Day the Earth Caught Fire, has died, the Associated Press reported. He was 94.

Guest died of prostate cancer on May 10 in a Palm Desert, Calif., hospice, his wife, actress Yolande Donlan, told the AP.

After becoming a director in the 1940s, Guest made comedies, thrillers and musicals, but he was best known for his science fiction works. The Quatermass Xperiment was a 1955 SF horror thriller with a semi-documentary feel, about an experimental rocket ship that crashes in rural England with only one surviving crew member. An invisible force gradually transforms him into a monstrous creature as he consumes plants, animals and humans.

In the 1961 film The Day the Earth Caught Fire, simultaneous nuclear explosions by the United States and the Soviet Union knock Earth off its axis and send it hurtling toward the sun. The picture earned Guest and co-writer Wolf Mankowitz best British screenplay awards from the British Academy of Film and Television Arts.

Guest also was one of the five credited directors on the 1967 James Bond spoof Casino Royale.

Spike Lee Selling Time

Spike Lee has made a deal to rewrite Selling Time, a supernatural thriller for 20th Century Fox, Variety reported. John Davis and Jennifer Klein will produce.

Lee, who most recently directed the hit Inside Man, hasn't yet chosen his next film. He'll write Selling Time with an eye toward directing it.

The movie concerns a man who sells chunks of his life in an attempt to relive and change the worst day of his life.

Malkovich Conjures Buck

John Malkovich will play a magician in The Great Buck Howard, the Sean McGinly-directed drama that co-stars Colin Hanks and his dad, Tom Hanks, Variety reported.

Bristol Bay Productions is financing, and Playtone's Tom Hanks and Gary Goetzman are producing. Marvin Acuna and Steven Shareshian will executive-produce. McGinly wrote the script.

Kevin Kline had long been expected to play the role, but scheduling didn't work out. Instead, Malkovich will play the famed magician on the downside of his career who takes on an eager assistant (Colin Hanks).

In a smaller role, Tom Hanks plays the father, who is disappointed by his son's choice of mentor.

Campbell, Sturgeon Finalists Named

Finalists were announced for the John W. Campbell Memorial Award and the Theodore Sturgeon Memorial Award, both of which are presented at banquets sponsored by the University of Kansas in Lawrence, Kan. The top three finalists for each award will be announced July 6-9.

The Campbell Award recognizes the best SF novel of the year as judged by a jury selected by the Center for the Study of Science Fiction at the University of Kansas. The Sturgeon Award is for the best short science fiction of the year. A full list of finalists follows.

2005 Campbell Award finalists: Transcendent by Stephen Baxter, The Meq by Steve Cash, Child of Earth by David Gerrold, Mind's Eye by Paul McAuley, Seeker by Jack McDevitt, Learning the World by Ken MacLeod, The Summer Isles by Ian R. MacLeod, Counting Heads by David Marusek, Mindscan by Robert J. Sawyer, Accelerando by Charles Stross, The World Before by Karen Traviss, Spin by Robert Charles Wilson

2005 Sturgeon Award finalists: "The Calorie Man" by Paolo Bacigalupi, "Second Person, Present Tense" by Darryl Gregory, "Magic for Beginners" by Kelly Link, "Keyboard Practice" by John G. McDaid, "The Little Goddess" by Ian McDonald, "Little Faces" by Vonda McIntyre, "The Blemmye's Stratagem" by Bruce Sterling, "Panacea" by Jason Stoddard, "The Inn at Mount Either" by James Van Pelt, "Inside Job" by Connie Willis

Resistance Is Alien Fighter

Insomniac Games gave first-person-shooter fans a chance for some hands-on action with the preview of its upcoming title Resistance: Fall of Man at the Electronic Entertainment Expo in Los Angeles earlier this month. The preview of the game, originally titled I-8, featured a playable level of single-player combat, as well as multiplayer skirmishes. The game features World War II-style fighting with a twist: The enemies are aliens, ranging from smaller creepy-crawly spiderlike foes to 8-foot-tall shark-toothed aliens with guns.

Resistance garnered praise for its deathmatch multiplayer mode and was recently given the Best Multiplayer of E3 2006 award by IGN.com in the PlayStation 3 category. Sony representative Scott Goryl offered SCI FI Wire an exclusive demo of the game and described the best approach to dealing with the different classes of enemies. "You can switch between different weapons on the fly to deal with different enemies," Goryl said. "The rifle is the way to go with the big guys, to keep your distance, but a shotgun works best with a group of the crawling ground forces."

The game affords a variety of different weapons, including assault rifles with underbarrel grenade launchers, as well as shotguns, a rifle with a scope and even an alien weapon that can be stolen from the opponents. It is a spiky projectile that players can throw like a grenade, which explodes and emits small spears.

The multiplayer element includes a 32-player online game. Sony hasn't released all the details of its online components, but nearly three dozen players took up the game at E3. Resistance: Fall of Man will be released exclusively for the PS3 and is slated for launch in November. —Casey Lynch

Players Rule In Overlord

Overlord, a strategy adventure game that was previewed at the Electronic Entertainment Expo in Los Angeles earlier this month, is aimed at gamers who secretly wish to control a horde of minions and wreak havoc in the countryside. The role-playing game from Codemasters allows players to control any of several characters to do their dirty work.

Richard Eddy, a spokesman for Codemasters, told SCI FI Wire that the game offers escapism and lets players be evil in varying degrees. "This is the perfect game for when you've had a bad day," Eddy said. "You can order these little buggers to ransack a village, drink all their booze and kill everything in sight. You can also decide between being a little nasty and very nasty. Say you push a group of villagers away from their home and into a field. You can stop there and be content that you took the property, or you can set fire to the field and burn the villagers. It's really up to you."

The game is infused with a twisted sense of humor, which is especially evident in the minions the Overlord controls. They will follow the player's every command, performing a number of tasks to help take ground, terrorize villages and raise a player's notoriety. Minions add to an Overlord's power by chopping crops to make lifeforce orbs or slaughtering townsfolk and animals to harvest souls. The game's minions reproduce by soul-stealing, and successful players can command legions of the gremlinlike bad guys.

But the minions are dimwitted and distractable, particularly with wine, women and song. In a demo, SCI FI Wire observed a scene in which a fiddler puts the Overlord's minions under a spell that calms them and renders them unresponsive to commands. Only killing the fiddler lifts the spell.

The game has RPG elements, such as outfitting and customizing the Overlord based on what clothing or weapons the minions pillage from the countryside. The game will support player-vs.-player multiplayer modes, which pit legions against legions, and co-op modes are in the plans. Overlord will be released for the Xbox 360 and PC this summer. —Casey Lynch

Unaired Stalker Eps On DVD

Frank Spotnitz, creator of ABC's short-lived Night Stalker series, told SCI FI Wire that the upcoming DVD release will feature four previously unaired episodes, which will also make their broadcast debut later this summer on SCI FI Channel. Spotnitz said in an interview that the new segments are among his favorites, but failed to air when ABC pulled the plug on the show after only a few weeks.

"It was frustrating, yeah, and it was especially disappointing, because I loved the second part of a two-parter that has a big 'Holy s--t!' moment that explains a lot about the character," Spotnitz said.

Spotnitz (The X-Files) created the show—an update of the 1974 series Kolchak: The Night Stalker—about a journalist who investigates paranormal phenomena. The new series starred Stuart Townsend (Queen of the Damned) and co-starred Gabrielle Union, Cotter Smith and Eric Jungmann. Spotnitz used his own past as a reporter for the Associated Press and Entertainment Weekly to inform the main character. "My background helped me figure out how we could tell these stories in that kind of arena," Spotnitz said. "Unfortunately, TV executives don't think shows about journalists can work, and as short as our run was on ABC, I don't think we've changed anybody's mind about that. Obviously, I think it can work."

ABC pumped publicity money into promoting Invasion and Commander in Chief and then put Night Stalker "in the toughest timeslot on television," Spotnitz said. "We were on Thursdays against C.S.I. and The Apprentice, and our lead-in show wasn't that compatible," he said. "[The] Alias audience was down in the ratings anyway, and that wasn't the same audience that watched our show. Under those circumstances, it would have been a miracle if we developed an audience."

Nevertheless, Spotnitz said he was convinced he put together a great cast and story and would be willing to revisit the characters and series if it finds new life again. "The show is good," he said. "The cast is good, and I made the argument that you can't throw the baby out with the bathwater. I just couldn't convince them."

The DVD will also contain two scripts that were never shot, as well as deleted scenes, commentary and a making-of featurette. Night Stalker: The Complete Series comes out May 30 in a two-disc set. —Mike Szymanski

God Of War II Sticks With PS2

God of War II, the sequel to one of the most popular games ever released for the PlaySation 2, showed very strongly at the Electronic Entertainment Expo in Los Angeles earlier this month, where several playable levels were demo'd for the first time. A Sony representative told SCI FI Wire that developers at Sony Computer Entertainment were excited that God of War II will stay on the PS2 console and not transition to Sony's upcoming next-generation PlayStation 3. "God of War is one of the hottest PS2 games of all time," the representative said in an interview. "The team really felt like, since it knows the PS2 and did so well the first time around, it will be able to get more out of the system, resulting in a better game regardless of whether it's 'next-gen' or not."

In God of War II, players once again take up the role of the brutal and tormented Kratos, the protagonist who dethroned Ares and took the throne as God of War in the first iteration. Players noticed during the demos that Kratos has a revised combat system, with more moves and new weapons. Players can make Kratos perform a swing attack that transitions into a running shoulder ram simply by holding down the square button, for example.

Kratos also has a new magic bow that wowed players, but that's only the beginning. All of the weapons in God of War II will have an elemental theme: The new bow represents wind, and Kratos' current weapon, his chain-blades, represent fire. Players can most likely expect at least two more weapons that are related somehow to earth and water. There will also be a variety of enemy weapons that Kratos will be able to use, which should make for real-time weapon-switching action. God of War II is scheduled for release exclusively for the PlayStation 2 sometime in early 2007. —Casey Lynch

SF Books Get Comical

Sean J. Jordan, executive editor of Dabel Brothers Productions, told SCI FI Wire that the comic-book company is adapting several works by popular SF/fantasy novelists, including two novels by multiple-award-winning SF/fantasy author Orson Scott Card. "[The first of these,] Red Prophet, is the story of an alternate history of the American frontier where folk magic actually works," Jordan said in an interview.

DB Pro's other Card project is an adaptation of Wyrms. "I liken it to a cross between Dune and the epic structure of Gilgamesh, but it's quite a bit different from both," Jordan said.

Also due out soon is an adaptation of best-selling author Laurel K. Hamilton's Anita Blake vampire series. "I think the best way to describe them is as an R-rated Buffy series," Jordan said, referring to TV's Buffy the Vampire Slayer. "We're starting our adaptation with the first book, Guilty Pleasures."

Dabel Brothers Productions realized that it would need to find a niche if it wanted to build a company that would be around for more than a year or two, Jordan said. "Ernst and Les Dabel happened to be big fans of George R.R. Martin, and they hounded him constantly about giving them the rights to his epic series, A Song of Ice and Fire," Jordan said. "Mr. Martin opted to give them something smaller instead: the rights to a novella he'd written called The Hedge Knight that could serve as a sort of 'first date' to see if the Dabels, who had done nothing at that point, were ready for something so much bigger. [It] went on to become one of the best-selling graphic novels of 2004."

One of the reasons DB Pro prefers adaptations to original work is that the company finds that creating work for established fans is much easier than creating original material that has to generate fans of its own, Jordan said. "When we adapt a story by Raymond E. Feist, for example, we know that some portion of his millions of fans worldwide will be interested in what we're doing and check our books out, particularly since we're adapting books that have yet to be otherwise brought into the visual medium," he said.

Though its focus is adaptations, Dabel Brothers does produce original books as well. "Bill Tortolini (our art director and letterer extraordinaire) just released the first issue of his four-part creation, Marshall, which is a sci-fi western that any fan of Firefly or Serenity would love," Jordan said. "We're also working on a video-game-themed book called Minus World that I created and am writing. It should be out next year. And I would also be loath to leave out our other original series, Legacy, which came out the same time as The Hedge Knight and will be coming back in a big way down the road." —John Joseph Adams

Spotnitz Amped For Spike

Producer Frank Spotnitz told SCI FI Wire he that is gearing up to bring monsters to Los Angeles in a new TV series he's developing for Spike called Amped. Spotnitz (The X-Files) is re-teaming with writing partner Vince Gilligan, who also worked with him on The Lone Gunmen. "The story is set in a police precinct, and the cops keep going out every day into a world that has changed," Spotnitz said. "A percentage of the population is mutating. No one knows how [he] is going to change, and it will be all different kinds of human monsters. Every time they go out they don't know what they will encounter. It will depend on your genetic makeup as to what kind of monster you become."

Spotnitz most recently oversaw Night Stalker, a remake of the 1970s TV show, which aired briefly last season on ABC and which comes out May 30 on DVD.

Unlike Night Stalker, Amped will feature an abundance of monsters. "It's a different group of people watching, and Spike TV is not one of the big four, and they figured their audience would be more open to it," he said. The show isn't cast yet, and Spotnitz hasn't decided if he will be directing. The pilot will prep soon, with shooting slated for the summer.

Amped takes place in Los Angeles, Spotnitz's hometown, which was also the setting of Night Stalker. "Los Angeles became almost like a character, and I discovered parts of the city that were fascinating," he said. —Mike Szymanski

Gradius Collection Due For PSP

Konami wowed old-school gaming fans with its upcoming Gradius Collection, an all-in-one compilation of the classic side-scrolling space-combat games, at the Electronic Entertainment Expo in Los Angeles earlier this month. The collection features five Gradius titiles, including Gradius I, II, III, IV and Gradius Gaiden. Kit Ellis, a spokesperson for Konami, told SCI FI Wire that the new PSP title will feature a number of extra modes as well.

"Players will have a lot of customizing features to play around with," Ellis said in an interview. "Players can resize their ship, play with arcade-accurate slowdown on or off and zoom the game to fill the wide screen."

Konami chose the PSP to release the Gradius Collection because of its fast interface and easy "pick-up-and-play" accessibility, Ellis added. "This is one of those games you can jump into really quickly for a few minutes and them put down, or you can get really deep into it and play it for hours," he said.

Each title appears in its full original form and has not been updated, so every fight and power-up has an old-arcade feel. Playing the Gradius titles is considerably more difficult on the PSP than on a larger screen, so the developers have included the ability to customize how much damage a player's ship takes. The adjustable "hit-box" feature is optional for players who want the challenge. Players can save any game they want in each title.

For veteran Gradius fans, the collection offers a new gallery of content, such as the movies from the Gradius Deluxe Pack (PlayStation), Gradius III and IV (PlayStation 2) and Gradius Gaiden (PlayStation), as well music from all five titles. The Gradius Collection is due for release this summer. —Casey Lynch

Thoreau Inspired Kelly's Burn

Two-time Hugo Award-winning SF author James Patrick Kelly—whose novella Burn is a current Hugo nominee—told SCI FI Wire that the novella's inspiration came from the unfortunate incident of Thoreau's forest fire. "Yes, that Thoreau: Henry David," Kelly said in an interview. "It seems he accidentally set the woods near Walden on fire when he was careless with a campfire. There's an account of it in Thoreau's own words in my book. I suppose I'm picking a fight with Thoreau in Burn; I think he was something of a technophobe. Certainly he would see little value in the enterprise of science fiction."

Burn is a meditation on terrorism and a consideration of a Vernor Vinge-esque singularity from the perspective of the people who got left behind, Kelly said. "And then there's all the adventure chapters about forest-fire fighting," he said. "I did a boatload of research. And then there are the funny bits. When I read certain chapters aloud, people laugh."

In order to get the novella more exposure, Kelly is giving Burn away in a variety of formats, from MS Word documents and PDF files to a professional-quality podcast. "After Burn got the Hugo nomination, my publisher Jacob Weisman [of Tachyon Publications] very generously agreed that I could make Burn available in a variety of downloadable formats, since, as a small-press publisher, he couldn't give the book the kind of distribution that the other nominees had gotten," Kelly said. "Of course, he had already agreed to the podcast of the book, but we both saw that as a way to potentially increase sales. The theory was that if I podcast a chapter a week for 16 weeks, people might get impatient and actually buy the book just to find out what happens next. And, of course, every episode started with a cheesy plea from yours truly to buy a copy of Burn. I think I must have worn down a few of my listeners! ... When podcasting hit big, I was just finishing Burn, and it occurred to me that I should give it a try. Frankly, I'm not sure exactly what helped Burn make the Hugo ballot, but I'm guessing that the podcast had something to do with it."

Kelly said that he thinks Burn is one of his very best stories, but he added that sometimes he and his readers differ about what is "pharmaceutical-quality JPK." Locus reviewer Faren Miller seems to agree with Kelly. "[Miller] wrote a review in Locus that said Burn was something like if Mark Twain had come back and was writing science fiction," Kelly said. "I almost swooned." To download Burn and to read an essay about how the novella was written, readers can visit Kelly's Web site. —John Joseph Adams

BRIEFLY NOTED

NBC's Medium will get a midseason start, rather than a fall return, in the upcoming 2006-'07 prime-time season, the network announced on May 25; airing in its normal Monday 10 p.m. ET/PT timeslot will be the new drama Studio 60 on the Sunset Strip.

Maggie Lawson has been named a regular on USA Network's upcoming series Psych, about Shawn Spencer (James Roday), an amateur detective who cons the police into believing he has psychic powers; Lawson plays junior detective Juliet O'Hara, the new partner of head detective Roland Lassiter (Tim Omundson), according to The Hollywood Reporter.

Trustees of the Robert A. and Virginia Heinlein Prize Trust announced that the first-ever Heinlein Prize, named for the legendary SF author and his wife, will go to Peter H. Diamandis, a pioneer in the commercial uses of space, who will receive $500,000, a gold Heinlein Medallion, the Lady Vivamus Sword (as described in Heinlein's book Glory Road) and a Laureate's Diploma in ceremonies July 7 in Houston.

Joss Whedon will return to the Buffy the Vampire Slayer universe with a new miniseries of comics for Dark Horse, which will debut as early as October; Whedon, meanwhile, continues to work on a proposed Wonder Woman film script that he is attached to direct.

New trailers for Ghost Rider and Monster House have been linked through SCI FI Wire's Trailers page.

Former Lost actress Michelle Rodriguez was sentenced to 60 days in Los Angeles County jail for violating her probation, as well as 30 days of community service with the Sheriff's Department, stints with the Mothers Against Drunk Driving victim impact panel and the Los Angeles city hospital and morgue program, plus an alcohol education program, in connection with her drunk driving conviction in Hawaii, the Associated Press reported.

Joseph Zacher, 37, who allegedly stabbed another man with a 6-inch blade attached to the glove of his Freddy Krueger costume, remained in jail but will not face felony charges stemming from an incident May 20 in Hollywood, Calif., the Los Angeles Times reported.

Special-effects maven Ray Harryhausen has joined forces with Mindfire Entertainment on a series of new movies, telefilms, video games and merchandising under the "Ray Harryhausen Presents" banner, projects to be based on unproduced material by Harryhausen, according to The Hollywood Reporter.

Carol Flint (ER) has come on board as executive producer and show runner of Six Degrees, J.J. Abrams' new drama for ABC, about the intertwined lives of six strangers in New York, according to The Hollywood Reporter.

First Look Studios has acquired worldwide rights to Special, featuring Michael Rapaport as a comic-book-loving parking-meter cop who finds he has developed extraordinary super powers, according to The Hollywood Reporter.

SCI FI Channel announced that World Wrestling Entertainment will debut ECW (Extreme Championship Wrestling) as a summer series at 10 p.m. ET/PT on June 13, which the network called "an alternative brand of wrestling suited to fit the SCI FI Channel's commitment to fuel the imagination."

USA Network's hit SF series The 4400 will premiere exclusively on Yahoo! TV as a Web offering for one week prior to its digital run on USANetwork.com and its broadcast debut on June 4[/b]

fulltimer56
06-03-2006, 05:46 AM
I really hope the Anne's "The Dragonriders of Pern" makes it to the big screen soon. I was really looking forward to the TV series before they pulled the plug on it!!