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08-01-2006, 02:01 AM
NEWS OF THE WEEK FOR JUL. 31, 2006

Part 1 of 2

Venom Won Over Spidey 3's Raimi

Spider-Man 3 director Sam Raimi told SCI FI Wire that he was at first reluctant to make the sequel's big villain the alien-human hybrid Venom, a fan favorite to be played by Topher Grace, and that the SF nature of Venom didn't fit neatly in the more realistic world of the Spider-Man movies. "Avi Arad [the former Marvel chief]—who's really got his pulse on all the Marvel fans better than any head of a corporation has ever understood those people who are interested in the corporation's product—he really knows what those kids want," Raimi said in a group interview at Comic-Con International in San Diego over the weekend. "And he said, 'You know, you've ... had two Spider-Man pictures. This third one, there's so many kids, so many fans of Spider-Man, [who] want to see Venom, even if you didn't grow up with him. They want to see him. So you've got the Sandman [Thomas Haden Church]. That's one of your favorite villains. Why don't you bring Venom in also and make those kids, the fans of Venom, happy?' And that's what I thought we should do."

Raimi added that he was won over once he saw how screenwriter Alvin Sargent made use of the character, not to mention how Grace played him and his human alter ego, Eddie Brock. "Now that I've seen Topher Grace perform and saw what Alvin Sargent did with the script—he created a great character, really filled out Eddie Brock into a very meaningful character—and Tobey [Maguire, who plays Peter Parker/Spider-Man,] has a great energy with him in the few scenes that they play together as competitors, and I really like him now."

Venom is the combination of a black alien goo and Eddie Brock, who is a rival of Peter Parker's both in journalism and for the hand of Mary Jane Watson, played by Kirsten Dunst.

As for the science-fiction nature of the Venom storyline, Raimi said: "There's a lot of fantastic elements about Venom that you could say are in conflict with the realism that we wanted to have in the picture. But we just said to ourselves, 'Kirsten and Tobey, you'll have to do the heavy lifting here to bring it back down to earth, because there's this wild goo from outer space, and you're just going to have to connect us to the characters.'" Spider-Man 3 is in post-production and will premiere May 4, 2007. —Patrick Lee, News Editor

Spidey 3's Grace Stuck On Venom

Topher Grace, who plays Eddie Brock/Venom in the upcoming sequel Spider-Man 3, told SCI FI Wire that he was the ultimate fanboy when he first showed up on set. "The first day I was on the set was in The Bugle, and, like, just as a fan of the first two movies to be, like, you know, like [I was at] those theme parks that are like, 'We'll put you in the movie.' ... And the guy [J.K. Simmons as J. Jonah Jameson] is there with the cigar, [saying] 'Parker! Get in here!' Oh, my God. It was ... tough, because I had to be angry, and I was just smiling from ear to ear."

Grace (That '70s Show) plays Brock, an angry young man who is a rival of Peter Parker (Tobey Maguire) in journalism and for the hand of Mary Jane Watson. Brock becomes the super-powered Venom when he is infected by black alien goo.

"He's a great character to play," Grace said. "Unlike most bad guys, he truly loves being evil. So, I mean, he really comes to grips with it and enjoys it. So it was fun to play someone that ... finds their way to that place. It's a fun thing to play as an actor."

Brock/Venom is also the flip side of Peter Parker/Spider-Man, Grace said. "That's what I liked about the character most," he said. "It's kind of a case study in if someone ... had the same job and ... the same taste in women and got the same powers, but had a really bad upbringing. So I used to say on set to [director] Sam [Raimi], it's like, 'With great power comes great fun.'"

Grace came in for some ribbing from his co-stars, who sat next to him during press interviews. "Topher was able to call upon his own personal life, where he loves being evil in real life," said Bryce Dallas Howard, who plays Gwen Stacy.

Grace: "Yeah. Before the role, I went out and killed a hobo with a hammer just [to] kind of get into [it], and it worked. All of a sudden, people were treating me differently."

"Especially hobos," said Thomas Haden Church, who plays Sandman. "'Stay away from That '70s Show guy.'" Spider-Man 3 is in post-production and will open May 4, 2007. —Patrick Lee, News Editor

Spidey 3's Women Talk

Bryce Dallas Howard, who plays Gwen Stacy in Sam Raimi's upcoming Spider-Man 3, won't tell SCI FI Wire or anyone whether the sequel will mine the love triangle among her character, Peter Parker (Tobey Maguire) and Mary Jane Watson (Kirsten Dunst)—but added that the film will be faithful to the comics. Raimi's "very reverent to everything that people would expect, and yet it's surprising," Howard (Lady in the Water) said in a group interview at Comic-Con International in San Diego over the weekend. "And so, you know, I don't want to give anything away. None of us do, because we don't want to betray the audience, because ... they had that opportunity with the first and second film. They really didn't know what they were going to expect, and it made it that much more entertaining."

For her part, Dunst said the third installment in the blockbuster franchise will bring things to a head. But she added that there's still room for more movies. "There's definitely a culmination," she said. "But you would have had to have seen the first and second [films], and this definitely ties up some storylines. But if there are more stories to tell, if things are unresolved, then we will tell them. But it depends, I think, on if everyone's game, and if there's a story to tell. If there's a good story, I'll be there."

The films have altered the history of Peter Parker and his various girlfriends from the original Spider-Man comics, in which Parker first met the blond Stacy, who died at the hands of the Green Goblin, then subsequently married red-haired Mary Jane Watson. In the films, Parker first meets and falls in love with Mary Jane, played by the naturally blond Dunst. Only in the third film does Stacy, played by the naturally red-haired Howard, appear.

Dunst added about Mary Jane: "She's still an actress, and, you know, you could see where it was heading towards in the last film with Peter. So, you know, emotionally [I'm] much more adult and mature, and there's a lot more at stake, because their relationship, you know, they're together. ... There's a lot more at stake for all the characters, and I think that we have gone to, like, their relationships, because they're older [and] have just developed more and become more complicated. So emotionally it's a much heavier film to me." Spider-Man 3 opens May 4, 2007. —Patrick Lee, News Editor

Church Trained For Spidey 3 Role

Thomas Haden Church, who plays Flint Marko/Sandman in the upcoming Spider-Man 3, told SCI FI Wire that he had to get in great physical shape to play the villainous character. "It was physically daunting to show up last year with the physique of a fishwife and, weirdly, they said, 'This won't work for us,'" Church said, with tongue in cheek, in a group interview at Comic-Con International in San Diego last weekend. "[They said,] 'You've got to be more built.' But, actually, [co-star] Topher [Grace, who plays Eddie Brock/Venom,] and I both trained with a team of [physical trainers]."

Grace interjected: "He saw slightly better results."

Church (Sideways) demurred. "No. ... I mean, ... you know, you just ... try to once again ... toe the line and do what's asked of you. ... But it's different. ... It's been a great discipline. I worked out for about probably 16 months, and ... it was a good ... discipline to have in my life. It was very invigorating to reincorporate that."

Church plays one of the classic Spider-Man villains, whose body has been changed into sand and can assume many different shapes, absorb nearby sand and withstand attacks. Church acknowledged the legacy of the character, which was introduced in early 1960s Marvel Comics. "I wouldn't say there was trepidation [taking the role], but you know, you have a tradition with the comic book that you have to honor," he said. "And then you look at the requisite storytelling that went on with the first two movies. ... I just wanted to do my part. You know, ... I just wanted to get in the game, be in for one minute, not fumble the ball in the end zone. I just wanted to do what was asked of me, and [director] Sam [Raimi] is ... a real actor's director. I refer to him as Elia Kazan trapped inside this Motor-City-madman, action-picture-director body." Spider-Man 3 opens May 4, 2007. —Patrick Lee, News Editor

Lost Number Mystery Solved?

Producers of ABC's hit Lost told SCI FI Wire that the show will consist of two self-contained arcs in the upcoming third season, while ABC announced that it will answer the mystery of Hurley's numbers in the alternate-reality game The Lost Experience. Speaking in an interview at Comic-Con International over the weekend, executive producer Carlton Cuse said that the third season's first six episodes will stand as a kind of miniseries that will "pick up all the dangling threads from the [second-season] finale ... [and] end up with another cliffhanger and some sort of a first-chapter resolution. And then we'll be back with 16 or 17 straight episodes in the spring." In the intervening 13 weeks, ABC will air its new series Day Break in the Lost timeslot, Wednesdays at 9 p.m. ET/PT.

Meanwhile, ABC said that The Lost Experience http://blogs.abc.com/inside_the_experience/ will culminate with a series of revelations about the show's mysteries. "Currently in phase three of five of the interactive challenge, the meaning behind the numbers 4 8 15 16 23 42, which play a significant role on the television series, will be revealed," ABC said in a press release. So far, The Lost Experience has unveiled information regarding the Black Rock and the significance in the title of the DHARMA Initiative. The Lost Experience will continue to the premiere of season three, revealing secrets behind the mysterious Alvar Hanso and the Hanso Foundation, the network announced.

As for season three of the show itself, co-creator and executive Damon Lindelof said: "The sort of big fundamental 'What's-in-the-hatch?' question we feel we want to be addressing in season three is: Who are these Other people? What are they doing on the island? Why have they been taking us? Why did they take Walt? Like, what's their story? And by the end of season three, in much the same way that by the end of season two you knew the story of the hatch, ... I think [people] will have the same level of comprehension for the Others, and the doors will be blown off the show in a really fundamental way, a way that we've started ... setting up in our finale in season two and will begin to sort of creep its way back into the show again."

Separately, TV Guide Online's "Ask Ausiello" column http://community.tvguide.com/forum.jspa?forumID=700000049 reported that Brazilian actor Rodrigo Santoro (Love Actually) will join the regular the cast in the fall. Lost returns on Oct. 4. —Patrick Lee, News Editor

Snyder Talks Watchmen

Director Zack Snyder told SCI FI Wire that it's been tough trying to crack Alan Moore's seminal Watchmen graphic novel for a proposed big-screen adaptation, which he's currently attached to helm. "I feel like Alex [Tse] has taken the [David] Hayter [X2] draft and whacked it around, and everyone has got ideas," Snyder said in a group interview at Comic-Con International in San Diego over the weekend. "You know, he said, 'What about this?' And I said, 'OK.' I don't know. I haven't seen anything yet that makes me think that we're any closer to it."

Watchmen, from Moore and illustrator Dave Gibbons, is set in 1985 in an alternate-history United States where costumed superheroes are real, and the last remaining superheroes come together to investigate the murder of one of their own. Snyder talked about the film while promoting his other upcoming comic-based film, 300, based on Frank Miller's graphic novel about the Battle of Thermopylae.

Snyder agreed with a characterization that a movie based on the dense, multilayered Watchmen is "the Rubik's Cube" of comic-book films. "Truly," he said. He added: "I don't know if it's the answer, but everybody says, 'Well, oh, ... respect the source material, and the source material dictates this.' ... But I think that what Hollywood misses, and what we need to think about, is, like: What is the book about? What does it mean? It's easy to get caught up in the mechanics of writing the script. ... That is, I think, the problem with the movie: ... that the screenwriters get caught up in the story, and they forget about what the book's about. So, for me, it's like, you got to ... deconstruct it. And it's more important to get to the philosophy of the book than it is to the frickin' A and B of the book, like who goes here, and who goes there."

Watchmen has been gestating for years and was recently dropped by Paramount before being picked up by Warner Brothers. "What will happen?" Snyder said. "I don't know. I can tell you this: As far as I'm concerned, ... the Watchmen movie needs to frickin' be hard and challenge everybody. ... The awesome thing about it is that Warner Brothers has it, and in some way it's incredibly poetic that they do. Because they have Superman and Batman, and I always go, 'Do you guys realize what Watchmen is? ... Do you really want me to make this movie?' And, you know what, I think to their credit, they're like, 'Yeah, we think we do.' Because I think they know." —Patrick Lee, News Editor

Gaiman Trusted Stardust Adapters

Neil Gaiman, who is co-producing the film version of his novel Stardust, told SCI FI Wire that people had been attempting to make the film since 1998, and it was only his ultimate trust in director Matthew Vaughn and screenwriter Jane Goldman that finally allowed the project to move forward. "They let me look over their shoulder and occasionally kibitz," Gaiman said about his own involvement in the project in an interview at Comic-Con International in San Diego over the weekend.

For her part, Goldman said that she enjoyed working with Gaiman adapting his work for the screen. "Initially, there's certainly a large amount of trust, and he very much let us run with it," she said. "But he's been around at periods throughout the development of it."

Stardust tells the story of a young man living in Victorian England, who journeys to the other side of the wall for which his small town is named and into the fantasy world beyond in search of a fallen star that he has promised to Victoria, the young woman he is attempting to woo. Producer Lorenzo di Bonaventura said the film is "the tale of a young man who's trying to become a man. And most of these stories, when you do that kind of story, they're about losing innocence, losing purity, and ours is about becoming a man and holding on to it. Which is really hard to do."

While some authors find it difficult to see their work adapted to another medium, Gaiman said that he understands the need to shape the work to fit the format. "I always love watching something as it moves from medium to medium. It's always fun," he said. "And some things you can move without changing very much, and some things you really have to sort of chop off the legs in order to get it through the door."

Of his first glimpse of Stardust Gaiman remarked: "For me, the biggest surprise was finding myself sitting there at the end of the half hour of footage they put together ... going, 'I wonder what happens next. I wonder what happens next,' ... which I thought had to be the mark of a good director." Stardust stars Claire Danes, Charlie Cox, Michelle Pfeiffer, Robert De Niro and Sienna Miller. It is scheduled to be released by Paramount in March 2007. —Nephele Tempest

Gaiman Updates Films, Books

Neil Gaiman, who has nearly half a dozen film projects in production or development, told SCI FI Wire that he plans to continue writing both novels and comic books. "I think, if I can, I'll keep doing everything," Gaiman said in an interview July 21 at Comic-Con International in San Diego. "I love being in the position of being a kid in a candy store. My biggest frustration is that there aren’t four or five of me."

Gaiman is certainly busy enough to warrant a clone. Movies based on two of his novels, Stardust and Coraline, are currently filming. Gaiman served as co-producer on Stardust, which stars Claire Danes, Charlie Cox, Robert De Niro, Michelle Pfeiffer and Sienna Miller and is scheduled to be released in March 2007. Coraline, a stop-motion film directed by Henry Selick, features the voices of Dakota Fanning and Teri Hatcher and is due out sometime in 2008.

Beowulf, for which Gaiman co-wrote the script with Roger Avary based on the Anglo-Saxon epic poem, stars Angelina Jolie, Crispin Glover and Anthony Hopkins and is due to be released in November 2007. Gaiman said that the project, which uses performance-capture technology similar to that used in films such as The Polar Express, is "taking it to the next step."

Meanwhile, the long-awaited film version of Gaiman's popular graphic novel Death: The High Cost of Living is also in the works. Gaiman has written the screenplay. When asked whether he would direct, he said: "That's the plan. I'm signed up for it." He was unable to say when production would begin. "Doesn't seem to be dead yet," he said, "which is probably the best thing you can say about Death." He added: "It started out at Warners, then it wandered over to New Line, and ... I believe now it's in the process of wandering back from New Line over to Warners again. Because Death is a Sandman-related property, it has to remain within the Warners group." As for the Sandman himself, Gaiman said that he would rather not make a film of the graphic novel series than make a bad one.

Gaiman has another directorial project in the works: a series of short films to be produced for television as a result his work on A Short Film About John Bolton. He declined to discuss details as the project has not been finalized. —Nephele Tempest

Heroes Strong Enough To Fly

NBC executives told reporters that the pitch for its upcoming superhero drama Heroes started out shakily but was strong enough to fly. Speaking at the Television Critics Association summer press tour last week, NBC Entertainment president Kevin Reilly admitted that the initial "concept was a little unwieldy. [Creator] Tim Kring came in and started saying, 'I want to tell you a show about some characters.'"

Heroes stars an ensemble cast who portray people who suddenly begin to discover that they have super powers. "And it was a diverse group of characters set around the world," Reilly recalled. "And he started saying, 'Imagine if you woke up one morning, and you actually believed you could fly? What would that do to your life? Would that, in fact, be the best thing that ever happened to you or the worst thing that ever happened to you? What would you do with it? What if all of a sudden you felt like you were meant for something greater, and you started feeling that maybe other people had a similar calling? Were you crazy? Are you insane?' It was one of those pitches—and I've been fortunate enough to be in quite a few—where it was right there from minute one."

Kring has an eight-year history as producer for NBC, on Crossing Jordan and Providence. He seemed enthusiastic about the Heroes idea, Reilly said. "You looked in the guy's eyes, and you saw the show, and that's the way it felt through casting," Reilly added. "We didn't have to send him back to the drawing board time and time again. ... All I can say, speaking to this show, is there feels like there is a cohesive vision, and I think it's going to end up being a fantastic ride for everybody involved."

In a separate interview, Kring said he went into the pitch session telling a dark story, not a superhero tale. "The idea [always] had a ... dark side to these abilities as well," he said. "And I'm sort of positing that it could be you or me or anybody who has this. It's very much about free will. And if you are naturally inclined to be good, then you veer in that direction."

The show, starring Hayden Panettiere, Ali Larter, Adrian Pasdar, Greg Grunberg and others, debuts Sept. 25 with a two-hour movie. "We're going to platform Heroes the second week of the season," Reilly said. "I'm very happy that Nissan has come on board [as] the single sponsor of the Heroes premiere. So that telecast will be presented with limited interruption." Heroes will air Mondays at 9 p.m. ET/PT. NBC is owned by NBC Universal, which also owns SCIFI.COM. —Mike Szymanski

Heroes' Grunberg Blooms Late

Greg Grunberg, one of the stars of NBC's upcoming superhero drama Heroes, told reporters that he thinks it may be good that his character was edited out of the version of the pilot that was sent to TV critics for preview. "Can I just say, for superstitious reasons, I'm extremely excited that I'm not in the pilot," Grunberg said at a news conference during the Television Critics Association summer press tour last week. "I wasn't in the pilot of Felicity. I wasn't in the pilot of Alias. I was in the pilot of Lost, and then I got eaten. So I'm excited that I get established in the second episode. It's a good thing."

Grunberg is part of an ensemble cast on the show, which tells the story of several everyday people in different parts of the world who suddenly discover that they have superhero-like powers. One can heal, one can be in two places at the same time, one can fly. Grunberg's character can read people's thoughts.

The show's creator, Tim Kring, explained that the original two-hour pilot was cut to an hour for screening purposes, leaving Grunberg out. "And so the character that Greg Grunberg plays ... will be introduced in ... the second episode," Kring said. "There were various reasons [for cutting the pilot down]. ... For the most part, we sort of felt that screening an hour was about the limit for a screening." Heroes debuts Sept. 25 and will air Mondays at 9 p.m. ET/PT. NBC is owned by NBC Universal, which also owns SCIFI.COM. —Mike Szymanski

Hellboy's Jones Expands In 2

Doug Jones, who played Abe Sapien in Hellboy, told SCI FI Wire that his role in a proposed Hellboy 2 will be expanded and that he will likely use his own voice, unlike the first movie. "The role of Abe Sapien will be beefed up quite a bit for part two," Jones said in an interview at Comic-Con International in San Diego over the weekend. "The relationship with Hellboy is going to be more fleshed out. ... The buddy thing ... and conflicts that arise with him are going to be more explored, which I'm very excited about. Abe gets more interaction with bad guys ... [and] has another little sub-storyline that I think is going to be delicious. I don't want to give anything way, but it's going to be a very, very exciting movie to make."

Though Jones played the amphibious Sapien in the first Hellboy movie, the character's voice was dubbed by an uncredited David Hyde Pierce. But Jones will provide the character's voice in the sequel, he said. Jones has already voiced Abe Sapien in the upcoming animated series. "There's the animated version of Hellboy coming out on DVD in February and ... airing on the Cartoon Network in October," Jones said. He added: "We've already done two [animated] featurettes of Hellboy, ... [and] I was able to come back and voice the role of Abe Sapien for that. And [director] Guillermo [del Toro] has now ... mentioned publicly that I will be voicing Abe Sapien in the sequel as well." Hellboy 2 is still in development but has not yet found financing. —Maria Virobik

Hellboy Gets Animated

Tad Stones, director of the upcoming Hellboy: Sword of Storms animated movie, told SCI FI Wire that the project has been in some form of development for about 11 years and morphed from a proposed TV show into a series of TV films. "I started working with [Hellboy comic creator Mike Mignola] when I was still at Disney on the Atlantis spinoff show, where he was designing monsters for me," Stones said in an interview at Comic-Con International in San Diego over the weekend. "When I left Disney, I called up Mike to ask if I could do a couple Hellboy scripts just to have on spec. We went ahead and did two half-hour scripts, and he was there every step of the way. And then they did the [2004 Hellboy] movie. So we started the series before the movie was out, ... like, a year before the movie was out."

Based on Mignola's best-selling comic series, Hellboy: Sword of Storms finds Hellboy transported to a world of Japanese folklore, seeking a weapon to defeat the twin demons of Thunder and Lightning, who would unleash dragons upon the world. After the Hellboy movie, director Guillermo del Toro was also a proponent of the animated films, Stones said. "Guillermo really pushed and pushed and kept the idea alive of going to animation with the project and was largely responsible for putting me on the project," he said.

Discussing the overall design style of the animated film, Stones said: "Mike was the concept artist on [the live-action] movie, and they styled a lot of the feeling of that movie around his work. When we started doing the series, I wanted to do the same thing, because I would get to work with Mike Mignola. He was open to it, so he did some concept work and said, 'Let's just talk through the monsters, and I'll do what you need.' That was fun, and he's a hugely entertaining guy, and he's always visual."

The concept is to produce two animated films, rather than a weekly series, which many fans had anticipated, Stones said. "It was talked about as a series, and, basically, the deal didn't go through for a variety of different things. IDT made a deal with Revolution Studios at Comic-Con last year, and it came through that we would do two movies, which was weird for Mike and [me]. Part of the fun was that we had all these stories, like, five Lobster Johnson stories to tell, but then it was movies, and once I got into the movies, I absolutely didn't want to do a series."

The animated films will feature popular comic-book characters such as the pyrokinetic Liz Sherman and "merman" Abe Sapien. But, Stones said, "each movie [will] be so different and will have this core character at the center, and it's not a superhero team. ... There is a reason it's called Hellboy. Sometimes Liz and Abe will be with him, and sometimes they won't be. Or one or the other will be with him, or other characters will be there that are from the comics or original." Hellboy: Sword of Storms premieres on Cartoon Network this fall and comes to DVD in February 2007. —Tara DiLullo

Jones, Fox Mum On Surfer

Despite predictions by his publicist to SCI FI Wire, Doug Jones was not the subject of any Fox casting announcements at Comic-Con International over the weekend, and Jones himself told SCI FI Wire that he couldn't comment on any casting rumors, such as the one that he's in the running to play the Silver Surfer in the upcoming second Fantastic Four movie.

"I'm not sure who would have started such a [rumor] online, but once it did [start]—once it got online—it started a forest fire," Jones (Abe Sapien in Hellboy) said in an interview. "So the conjecture and the guessing and what's happening [have] gone insane. I can say definitively that I will not be doing any green-screen or motion-capture work, green-screen leotard-colored motion-capture work on anything coming soon. I can say that. As to all of the other casting rumors and things, all I can say officially is no comment about that."

But Jones didn't deny any of the rumors outright. And, he added: "I love shimmery, shiny things, and I hope to be wearing more of this very, very soon. ... And I've been shopping. I've been shopping to find such a thing, and I think I found the perfect thing. Let me tell you this. ... At the checkout counter when I was shopping for this outfit, nobody was standing behind me. Nobody else is shopping for the same outfit. So I'm just now waiting for my credit card to get approved, and I hope to show up at the party wearing it real soon." —Maria Virobik, with Patrick Lee, News Editor

Jones Was First Pick For Pan

Doug Jones, who stars as Pan in Guillermo del Toro's upcoming Spanish-language fantasy-horror film Pan's Labyrinth, told SCI FI Wire that del Toro made it very clear that he wanted Jones to take on the title role. "When Guillermo approached me with this film, it was an e-mail that came to me from Spain," Jones said in an interview at Comic-Con International in San Diego last week. "He was ... over there prepping for the film [and] sent me an e-mail saying that I had to play the role of Pan, [that] no one else could. 'Read the script and get back to me tonight.' ... I read the script. It was an absolute page-turner. I couldn't get through it fast enough, and by the end, [I said,] ... 'Oh, I have to play Pan. He's right.' [If] a director of Guillermo's stature is telling you you have to play this part, [that] no one else can, you listen."

Pan’s Labyrinth tells the story of an 11-year old girl, Ofelia (Ivana Baquero), who finds escape from her bleak family situation by entering a magic underworld overseen by Pan. "My character gets to introduce to her who she really is," Jones said. "[He tells her] how to get back there, gave her tests to pass in order to do so, came back to scold her when she did wrong, came back to congratulate her when she did right. ... He's like an older, wiser character that she can find comfort in, he's also scary."

Jones said Pan has become one of his favorite characters to play, along with Billy Butcherson in the 1993 movie Hocus Pocus and Abe Sapien in 2004's Hellboy. "I love this film and ... especially love the character of Pan," he said. He added: "Pan is this delicious, angelic character, [but] you're not quite sure if he's demonic, because, as you meet him, he's kind of scary but becomes more lovable and then might scare you again and then become lovable again. And by the end of the film you might find out ... if he really is good." Pan's Labyrinth opens in U.S. theaters on Dec. 29. —Maria Virobik

[b]Ghost Rider Likes It Mellow

Nicolas Cage, star of the upcoming Ghost Rider movie, told SCI FI Wire that he and director Mark Steven Johnson came up with some unusual character traits for their hero, stunt motorcycle rider Johnny Blaze, including oddball tastes in snacks and music. "I was invited in early on in the process," Cage said in a group interview at Comic-Con International in San Diego last weekend. "So I like to think that I was building it from scratch, along with Mark, and as he was writing, we would talk, and even right before we went to film in Australia, we were coming up with ideas to add on to the character. I think traditionalists of the comic book will be happy, but we did build up the story and add on to the character."

For one thing, Cage and Johnson gave Blaze a fetish for jellybeans. For another, they made him a fan of soft-pop singer Karen Carpenter. "And he reads a lot, but he's something of a cowboy," Cage added. "Mark was very excited about the western element of the character, hearkening back to the original Ghost Rider, which you're familiar with."

Cage plays Blaze, a bike rider who sold his soul to save his father and pays by morphing into an avenging demon during the night, complete with a flaming skull. So why Karen Carpenter? "The way I thought of that was, I remember when I was in a dental chair," Cage said. "They always play these very soft, soothing types of music. And Johnny Blaze is sort of, like, literally sitting in a dental chair every second of the day wondering when ... the devil is going to come and claim his purchase. So I think he's constantly trying to relax. And so instead of, like, the bourbon-drinking, chain-smoking badass, I think he's such a badass that he needs to calm down with Karen Carpenter and jellybeans." Ghost Rider opens Feb. 16, 2007. —Patrick Lee, News Editor

Ghost Fulfills Cage's Ambitions

Avowed comic-book fan and actor/producer Nicolas Cage, who stars in Mark Steven Johnson's upcoming movie based on Marvel Comics' Ghost Rider, told SCI FI Wire that the role fulfills a number of childhood ambitions. "I like the monsters," Cage said in an interview at Comic-Con International in San Diego over the weekend. "I just like them. When I was a kid, I fantasized about being able to turn into the monster to scare the bully away. And, I think, little boys and girls, you know, when they see the werewolf movies, like The Wolf Man, it's very exciting. Monsters are fun to play, and with Ghost Rider, I got a chance to kill two birds with one stone, so to speak. I got to be in a horror film in the grand sense of The Wolf Man and a comic-book-based movie."

In Ghost Rider, Cage plays stunt motorcycle rider Johnny Blaze, whose soul was bartered and who spends his night as an avenging demon with a flaming skull. Cage said that he still has his original Ghost Rider comics, on which Johnson said he's basing the movie. "Oh, absolutely," he said. "I would never sell those. They're in a special room upstairs, framed and on the wall."

Cage added: "I enjoyed the image of the skull on fire when I was a boy. And the mythology of it, the Faust-like storyline, was so original for a Marvel comic-book character. There really isn't any other one quite like Ghost Rider. And that's why I think he's fresh. I think it's time for a new kind of superhero. I'm speaking to the Ghost Rider fans. Step out. We all know who we are."

Cage, who has a tattoo of a flaming skull on his shoulder, was also known to ride motorcycles himself in his youth. But now, he said: "I have since stopped riding as much as I once did, because I have ... a baby boy, and I don't want to ... inspire [him] to ride motorcycles. But I do ride, yes." —Patrick Lee, News Editor

Ghost Goes Back To Source

Mark Steven Johnson, who wrote and directed Nicolas Cage's upcoming Ghost Rider, told SCI FI Wire that he based the movie on the original comics that appeared in the late 1970s and early '80s. "Mine's the original," Johnson said in an interview at Comic-Con International in San Diego. "Mine's Johnny Blaze. It's really pretty much the classic story. You know, very, very few changes. But it's all about selling your soul."

Ghost Rider, based on the Marvel Comics series, centers on Blaze (Cage), a motorcycle stunt rider who moonlights as an avenging demon with a flaming skull. The comics originally appeared from 1973 to '83. A second series, which appeared from 1990 to '98, centered on a different character, Daniel Ketch, who was later revealed to be Johnny Blaze's brother.

The movie makes a few changes to the original story. In the movie, it's the character of Johnny Blaze's father for whom Johnny makes his deal to sell his soul, not his mentor, as in the comics. "In our case, it's the father, not the stepfather, but the father who has lung cancer, who, having to leave the girl behind and ... being cursed and having to hit the road. All that stuff is in." But Johnson added that he made use of later incarnations of the comic for the film's unique look. "The spiked jacket," he said. "This isn't the blue full-body jumpsuit, you know? ... And the motorcycle he had in the early comics, I wasn't a big fan of. I thought we could do better." He added: "The Caretaker [played by Sam Elliott] from the Ketch years is a character I always liked a lot. You know, I wanted to find a way to use him. As was Blackheart [the villian from the Ketch series]. So a lot of it was taken from later. But the origin and a lot of the heart and the soul of it was from the Johnny years." Ghost Rider opens Feb. 16, 2007. —Patrick Lee, News Editor

Descent End Altered In U.S.

Neil Marshall, director of the upcoming SF horror film The Descent, told SCI FI Wire that the film's ending was altered for U.S. audiences from its original U.K. release to make it a bit more upbeat. "The ending that I had when I originally wrote it has been playing in Britain nearly a year now, and they seem to like it just fine," Marshall said in an interview after a screening of the film in Los Angeles last week. "But I had the chance to shoot another ending, so I did, and I think that's fine, too."

The Descent centers on a group of thrill-seeking women who go spelunking in a previously uncharted cave. While inside, they discover some opaque-skinned batlike human-shaped creatures who prey on flesh. When Lionsgate tested the film, the unrelenting dark U.K. ending seemed to irritate Americans, so it was changed. Marshall had time to do it because the release was delayed in the U.S. to avoid the similarly themed The Cave, which was coming out about the same time.

"We had the time to do it, and it gives me as a filmmaker that rare opportunity to have two endings," Marshall said with a laugh. "We never tested both endings with both British and American audiences, so I can't say if one group liked one over the other, but it seems like the American audiences will like the one we're releasing here."

The Descent opens Aug. 4 and stars Shauna Macdonald, Alex Reid and Natalie Mendoza. Which ending does the London-based director prefer? "I prefer the British version," he admitted. The Descent opens wide on Aug. 4. —Mike Szymanski

Where's 4400's Campbell/Collier?

Ira Steven Behr, executive producer of USA Network's SF series The 4400, offered SCI FI Wire tantalizing hints as to the whereabouts of 4400 leader Jordan Collier (Billy Campbell), who was apparently assassinated in the second season but mysteriously appeared in the last few minutes of the season finale. "Well, where was he last time?" Behr said in a press conference at Comic-Con International in San Diego on July 22. "Let's just look at this logically. The last time Jordan Collier disappeared, where was he? He was in the future, right? With all these other people allegedly ... taken to the future. Then he was killed and disappeared again. Where do you think he might have gone?"

Campbell returns as Collier, a prominent member of a group of 4,400 individuals who were abducted, taken to the future and returned to the present with strange new powers. Although Collier was assassinated halfway through the second season, certain events—including the disappearance of his body and the subsequent appearance on a beach of a mysterious figure resembling him—led to speculation that he might not be gone for good.

Campbell—who took time off from the show to embark on a 13-month sailing trip around the world—joined Behr and fellow cast members at the same press conference, sporting the long hair and full beard acquired during his adventure. He said his character will have this look as well when he returns, although Campbell admitted he didn't know much more than that. "I have absolutely no idea [what Collier's explanation will be]," Campbell said. "[The writers] are making it up as they go along, which is part of the joy of the show. ... That's a question for them."

Behr promised that viewers will get at least one version of what happened. "We will find out where Jordan Collier was according to Jordan Collier, and ... then it's up to all of us collectively to decide whether or not we believe him. ... I still have my doubts." The 4400, currently in its third season, airs Sundays at 9 p.m. PT/ET. USA is owned by NBC Universal, which also owns SCIFI.COM. —Maria Virobik

Diggs Hot About Day Break

Taye Diggs, who stars in the upcoming ABC SF series Day Break, told SCI FI Wire he was still a little hot under the collar about questions concerning the new show. Not only is it being constantly compared to Groundhog Day, because it's about a guy who has to repeat the same day over and over again, but reporters also keep asking how they're going to get audiences to keep coming back. "I may have overreacted a little bit, a little bit," Diggs said with a laugh in an interview at the Television Critics Association summer press tour in Pasadena, Calif., on July 19. "But the show is a drama. Groundhog Day is a comedy, and the only thing that's the same is the repetition of the day."

In Day Break, Diggs plays a Los Angeles police detective who is framed for a murder he didn't commit, and each episode has him reliving the same day over as he tries to solve the crime and redeem himself. "You'll have to forgive us if we come off as a little sarcastic or maybe defensive, but we knew that we would be dealing with a lot of these questions," he said. "And I just need to remind you that this is something very special to us. We think it's very different. It's unique, but at the same time, it's still a television show. And everybody here, we all know what we're doing. So when you ask us a question like, 'Well, how do we get somebody to view in who hasn't been watching regularly?' You know, how do you get anybody to view in?"

Diggs said that he watched the first two seasons of 24, then didn't watch again until the fourth season. "I didn't need the beginning of the fourth season to get hooked," he said by way of comparison with Day Break. "The acting, the storyline, whatever it was, got me hooked."

Diggs then said something at the news conference that he's been razzed about ever since: "We're not dumb, I'm Taye Diggs! I wouldn't sign on for that."

Diggs laughed when reminded about the line, which may become one of the classic quotes from this year's press tour. He shared the red carpet at ABC's gala party that evening with Oscar winner Sally Field, starring in ABC's Brothers & Sisters. She's still living down her "You like me! You really like me!" speech at the 1980 Oscar ceremony. —Mike Szymanski

Pratt Is Fit For Day Break

Victoria Pratt, who will star in ABC's upcoming fantasy series Day Break, told SCI FI Wire that her work as a fitness writer helped her ease into her acting career. The athletic actress has appeared in Xena: Warrior Princess and Mutant X and will now play a detective opposite Taye Diggs in Day Break, about a guy who relives the same day over and over. "I'm detective Andrea Battle, an undercover narcotics detective, and, of course, I have a few secrets," Pratt said in an interview at the Television Critics Association's summer press tour in Pasadena, Calif., last week.

Canada native Pratt got a degree in kinesiology and worked at training camps with athletes from the Winnipeg Jets and the Toronto Maple Leafs. "We would do drug testing [and] testing of firefighters to try to find suits that would help them in a fire so that they could stay in there longer and resist the heat, really, really interesting stuff," said Pratt, who also appeared in the film House of the Dead 2: Dead Aim. She was then encouraged by a friend to take an acting class while she was a writer for a women's fitness magazine.

"I took classes for two years before I had the courage to get an agent," Pratt said. "And my very first audition I ended up getting a series. It was called John Woo's Once a Thief, so it kind of happened that way. It was never something I wanted to do as a child."

Pratt said her athletic background helps her with the stamina needed for high-action series. Day Break will run for 13 weeks, beginning Nov. 15, and co-stars Moon Bloodgood, Meta Golding, Ramon Rodriguez and Adam Baldwin. —Mike Szymanski

Marshall Forecasts Doomsday

Director Neil Marshall (The Descent) told SCI FI Wire that his next film project will be a post-apocalyptic project called Doomsday, which will feature some of the same cast members as his past films. "Doomsday is a futuristic action thriller," Marshall said in an interview just after he attended Comic-Con International in San Diego last week. "It's about a group of people [who] team together to try to prevent the extinction of the human race. It will be a dark, brutal action adventure."

The idea sounds like a gritty combination of Mad Max and Escape From New York, and Marshall acknowledged that that's not a bad comparison. "It's kind of an Escape From L.A., except set in the U.K.," he said. "It will be a post-apocalyptic future and will include futuristic knights and involve car chases. There is a disease that threatens the remainder of humanity."

Marshall is currently promoting The Descent, a film about six women who get stuck in a cave and come under attack by blind, savage humanoid creatures. The Descent stars Shauna Macdonald, Alex Reid and Natalie Mendoza and opens Aug. 4. —Mike Szymanski

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Part 2 of 2

Monster Homages Abound

Monster House director Gil Kenan told SCI FI Wire that he references several 1980s-era films in his scary animated movie: everything from Freddy Krueger's first movie to Robert Altman's most reviled. It's obvious that he uses themes from E.T. the Extra-Terrestrial, Poltergeist, Jaws, Gremlins, The Goonies and other films that Steven Spielberg directed and produced, and it's not just because Spielberg is also the producer of Monster House.

"Some of the film references are obvious, but some are not," Kenan said. "I'm really influenced by the movies I saw as a kid in the '80s, and, well, I'm kind of obsessed with Robert Altman's Popeye [laughs]. No one in my life understands why I like the movie, but I really think that there is an emotional power to a zoom [lens shot and close-ups]. I feel like it adds a lot of strength, and so I don't think I got carried away. ... I think that for some reason in the '80s people started feeling like zoom was a dirty word, and so I'm really happy to be bringing it back. I'm proud."

Although he doesn't think any of the film references were too obvious, he said that some of the influences were as diverse as Wolfgang Petersen's fantasy adventure The NeverEnding Story and Wes Craven's horror classic A Nightmare on Elm Street. "For instance, A Nightmare on Elm Street pretty much changed my life when I was a kid," Kenan said. "It was one of [my favorites]. And I had NeverEnding Story on Betamax, and then one of my first VHS tapes was Nightmare on Elm Street. I watched them compulsively. It wouldn't be a surprise to me if, like, ... you know when you leave the pause of the screen too long, there's a burned-in image in there. So I would say that there's probably a few of those in there that are just like hitting in the back of my brain, and they bubble out to the surface uncontrollably."

Kenan added that the idea to make a 3-D version of Monster House came from movies he saw as a child. (Monster House opened simultaneously in conventional theaters and as many 3-D screens as the studio could book.) "We've gotten, I think, 80 more than Chicken Little had when it opened a year ago, and it just keeps growing," Kenan said. "Now the digital cinema initiative is finally taking hold, so by the next digital release, if Monster House is re-released next Halloween or the one after that, there will be 1,000 3-D [screenings] instead of the almost 200 that we have now. It's crazy in 3-D. Especially towards the end, as the house starts to uproot in the entire battle. I'm really proud of the 3-D version. ... I am a huge fan of 3-D in the right circumstance. I think that Monster House definitely has to be 3-D, because it's a monster movie, and it's an adventure, and because it's a ride, and, you know, I hope to be as an audience member watching many more 3-D movies."

The 29-year-old director added: "I think Monster House, for me, was so very tied to my sense of growing up, and it just happened that I was growing up in that period where those movies were created." Monster House is now playing. —Mike Szymanski

Musso Voices Phineas

Young actor Mitchel Musso (Monster House) told SCI FI Wire that he will be doing the voice of one of two crazy inventor stepbrothers in Disney's upcoming animated series Phineas and Ferb. The series was created by Family Guy director Dan Povenmire. The brothers have a pet platypus named Perry, who is an undercover agent, unbeknownst to the boys.

"I just got finished for the season playing the role of Oliver Oken in Hannah Montana for Disney and just got done with an animated show that just got picked up for Disney called Phineas and Ferb," Musso said in an interview. "I play Ferb. It's for younger audiences It's Toon Disney, for younger kids."

In Phineas and Ferb, the characters spend their days building wacky inventions, such as the world's largest Popsicle. Phineas is voiced by Vincent Martella (The CW's Everybody Hates Chris), and the platypus is voiced by Dee Bradley Baker (American Dad).

Mitchel, 14, who also did voice acting for the pilot episode of Avatar, said he is particularly impressed that all the major players from Disney shows will be making cameo voice appearances on Phineas and Ferb. "It is very different," he said. "When I went to shoot Avatar, everybody was done with their lines, and I had to say the lines as the mouth is moving. This time, they draw it to me. ... All the biggest stars from Disney are in the show. They just put this one together. I'm doing, like, 16 episodes."

Ashley Tisdale (Donnie Darko) voices the irritating sister Candace, and Caroline Rhea (Sabrina the Teenage Witch) voices the mom. The show was announced at the Television Critics Association summer press tour and is scheduled for early next year. —Mike Szymanski

Bear Sees SF Duty To Imagine

Multiple-award-winning SF author Greg Bear, who was recently named a recipient of the Heinlein Award http://www.heinleinsociety.org/index.html , told SCI FI Wire that SF writers have a duty to continue imagining new futures. "Anything else is twiddling thumbs," Bear said in an interview. "Now more than ever, we need to discuss the shape of our future world, near and far. We can't get parochial. We can't withdraw like snails. ... As always, we live in interesting times, and science fiction is an amazing tool to help us analyze human response to change. If it's easy to write—if it doesn't make anybody angry—it probably wasn't worth doing."

The Heinlein Award, presented annually by The Heinlein Society in honor of SF legend Robert A. Heinlein, is given to outstanding published work in hard science fiction or technical writings inspiring the human exploration of space. Bear and SFWA Grandmaster Jack Williamson were named recipients this year. Previous winners include Arthur C. Clarke, Larry Niven and Jerry Pournelle, among others.

Urging space exploration is a general theme in a lot of Bear's books and stories, he said. "But the pioneering aspect I've mostly left to others, so far. My companion in this year's award, Jack Williamson, and a host of other favorites have done terrific work in this area. My most detailed examination of our future in space is in Moving Mars—where the space hardware and geology still hold up to technical scrutiny! The physics, of course, is a little more controversial!"

In addition to writing fiction that inspires space exploration, Bear said he was invited—on the recommendation of Pournelle and Niven—to participate in several meetings of the Citizen's Advisory Council on National Space Policy. "By discussing everything from missile defense to privatizing and commercializing space, this group—under Jerry's brilliant leadership—made a real impact on the U.S. space program," Bear said.

Bear said that it's important for humans to explore space, because there are a lot of things that we can do that robots just can't. "We're [also] smarter, quicker and prettier than robots," Bear said. "But best of all is the experience of being there. I think those who believe robots are capable of doing everything in space might also sign on to the possibility of letting robots have sex for us."

Bear said his most recent novel, Quantico, has had a rough trip http://www.scifi.com/scifiwire/index.php?category=0&id=33280 to trade publication in the United States. "Mr. Heinlein had similar problems a couple of times with his novels, when he got a little too controversial," Bear said. "But we're now closing a deal for a major trade edition, and the book is already available in the U.K. through HarperCollins and in the U.S. through a fleet of book clubs, including Book of the Month Club and Science Fiction Book Club. It's one of my most important works, an 'If this goes on ...' examination of security, politics and terror in the near future." —John Joseph Adams

300 Matches Miller Style

Zack Snyder, director of the upcoming film adaptation of Frank Miller's 300 graphic novel, told SCI FI Wire that he used Miller's comic as a template for the movie. "I drew the movie," Snyder said in an interview at Comic-Con International in San Diego over the weekend. "So the way I would do it [is] I'd draw a frame, and ... I'd photocopy Frank's frames, so basically the challenge for me was to get the movie to go through Frank's frames. ... If you look at the book, it's a montage, right? It's not a moment-to-moment experience, like a film is. So the challenge for me is to go, 'OK, here's the moment that Frank drew. The horse rears up, and it's frickin' awesome. So ... how [do I], like, get into that moment?'"

Miller's highly stylized graphic novel tells the story of the 480 B.C. Battle of Thermopylae, in which Leonidas, the king of Sparta, led his small army against the advancing Persians; the battle is said to have inspired the creation of the world's first democracy. The film stars Gerard Butler as Leonidas.

Snyder's goal, with Miller's help, was to bring the graphic novel to life a la last year's Sin City. "So basically my challenge was to draw ... [and decide,] 'It's 10 shots to get to his shot, and another 10 shots to get out of it,'" Snyder said. "So that's kind of how it became, and it was kind of a fun experience. It was a fun process for me to kind of have to go, to have a goal, to have a frame as a goal to get to." Snyder also crafted images and scenes that weren't in Miller's book in Miller's style. "Use a similar style," he said. "And I think it helped to give the movie this sort of continuity of design." 300 opens March 2007.

Monster Helmer Adapts Ember

Monster House director Gil Kenan said that his next project, The City of Ember, based on the 2003 book by Jeanne DuPrau, will be a live-action science fiction project that he is developing at the moment. "It's science fiction, and that's all I'm going to say," the director said with a smile in a recent interview. "It's a post-apocalyptic children's film."

Kenan added: "It's going to be closely based on the novel." The story will be adapted by Edward Scissorhands and Corpse Bride screenwriter Caroline Thompson and will be produced by Playtone and Walden Media (The Chronicles of Narnia: The Lion, the Witch and the Wardrobe).

The City of Ember takes place in a future when Earth's surface has been ruined by toxic pollutants and humans live in cities under the surface. Two 12-year-olds, Doon Harrow and Lina Mayfleet, decide they are going to the surface when their only source of light underground begins to flicker out. No one has ever ventured beyond the safety of Ember, but the city's life supply is running out, and someone has to do something about it.

Kenan said that the film relates a bit to Monster House and his short movie The Lark, which have large inanimate objects taking on the souls of humans. "You know how Monster House is about a house that's a character in the story?" he asked. "In City of Ember, the city is kind of a central character in the story." And this monster is a bit scarier than the one in Monster House, he added. —Mike Szymanski

Ghost Still Has Surprises

Ian Sander, one of the executive producers of CBS' Ghost Whisperer, told reporters that Jay Mohr will play a professor in the upcoming second season—and hinted that viewers may not have seen the last of Andrea, Aisha Tyler's character, who appeared to have perished in the first-season finale.

"You may have heard that Camryn Manheim is joining the show," Sander said in a news conference at Comic-Con International in San Diego. "She will bring a whole other level ... [and] depth to the show, [and] we're really looking forward to exploring ... [her] character. ... Jay Mohr is [also] joining the show. We will have a season-long arc with Jay. He actually worked his first day yesterday, and he's a pleasure. ... He plays a great character, ... a professor [who Melinda] goes to. ... He's funny [and] edgy."

The season finale saw the death of Andrea Moreno (Tyler), the best friend of psychic Melinda Gordon (Jennifer Love Hewitt). But is she gone for good? Sander declined to offer specifics, but he confirmed that the audience has not seen the last of Andrea. "I'm not going to tell you how it's going to play out, but the idea of the season finale was something that we had been dealing with for quite some time," he said. He added: "Ghost Whisperer is a little bit different than most shows. Just because we kill somebody doesn't mean they go away. We deal in the past with flashbacks. We deal in the present as we all know it, and we deal in afterlife. We deal with good, and we deal with evil. I can tell you that [Tyler's] character will play out in all of the above, ... and hopefully it will be surprising. If you think you know how it's going to end, I hope that we're going to surprise you." Sander also declined to say whether Tyler, who has left the show, would appear.

Kim Moses, an executive producer, said separately that Mohr's casting has spurred positive fan feedback. "When ... [Mohr] gave an interview last week that he was going to be going on Ghost Whisperer, ... we monitor the [Internet] chat every day, and it just spiked," she said. "The guys went crazy, because ... they love him, and he's a nice, fresh surprise for a traditional television show." Ghost Whisperer returns in the fall and will air Fridays on CBS at 8 pm ET/PT. —Maria Virobik

Pitt Commits To Button

Brad Pitt has committed to star in The Curious Case of Benjamin Button, based on a story by F. Scott Fitzgerald, about a man who hits age 50 and begins aging backward, Variety reported.

The Paramount/Warner Brothers co-production will be Pitt's next film after he reprises his role this summer in the Steven Soderbergh-directed Ocean's Thirteen at Warner.

Button will re-team Pitt with his Fight Club director David Fincher and Cate Blanchett, his Babel co-star. The project has been developed for more than a decade in several different incarnations.

With a script by Eric Roth, Button is produced by Kathleen Kennedy and Frank Marshall and is likely to start production in late fall.

Amazon Options Stolen Child

Amazon.com has optioned the screen rights to Keith Donohue's best-selling novel The Stolen Child for its first feature-film venture, Variety reported. Amazon will move to secure a filmmaker and then a studio partner to turn the fantasy into a live-action feature.

The company isn't looking to co-finance the film, but does bring an intriguing variable to the table: a pledge to use the clout of its site as a marketing tool for the theatrical and DVD launch, the trade paper reported.

The novel by first-time writer Donohue combines literature and fantasy and covers issues of identity. A 7-year-old is kidnapped by forest-dwelling changelings, who replace him with a look-alike. The book tracks the changeling's attempt to meld into a family and the boy who roams the woods with a pack of feral children.

Pan Musical Eyed For ABC

Sony Pictures TV-based producers Craig Zadan and Neil Meron are developing a musical revival of Peter Pan for ABC, Variety reported.

Coming 50 years after NBC broadcast the live staging of the Broadway musical, starring Mary Martin, the project will mark the first time the musical version of Pan will be filmed as a movie.

Zadan and Meron (Hairspray) are hoping to have the ABC project ready for broadcast by the end of 2007, pending casting of Peter Pan and Captain Hook.

Irene Mecchi, who wrote the script for Zadan/Meron's Annie and worked on Disney's The Lion King and Hunchback of Notre Dame, has been recruited to write a teleplay for Pan, based on the original Broadway musical. Royce Bergman of Storyline will coordinate for Zadan/Meron.

'Calorie' Mulls Post-Oil World

Hugo Award-nominee Paolo Bacigalupi, whose story "The Calorie Man" just won the Theodore Sturgeon Memorial Award for best short science fiction story, told SCI FI Wire that the idea for the story came in part from his interest in post-oil economies.

"I'd been thinking for a long time that oil was a finite resource, and it was difficult for me to write an SF story that didn't somehow incorporate that likelihood into its premise," Bacigalupi said in an interview. "Anything that didn't accept a post-oil situation seemed too fantastic, even for science fiction. This was actually before the whole peak-oil thing really hit the mainstream press, and I almost gave up on the story when peak oil became a common meme. I picked up a National Geographic and saw the headline 'The End of Cheap Oil' and thought, 'Uh-oh. Now everyone's going to be writing stories about it.' And then I berated myself for taking so long to write the stupid thing. In the end, I pushed ahead with the story and was surprised when it came out over a year later that the SF community was still largely ignoring the topic."

Bacigalupi said that the other aspects of the story came from a variety of sources. "The intellectual property and patenting of grains [in the story] came from news reports I'd read about an attempt by a U.S. company to patent basmati rice, even though it was historically used in India and was naturally occurring. The 'GMO' and the 'sterility controls' on grains came from discussions with friends of mine who are farmers and who are concerned about the advent of ag technologies that are designed to maintain control of corporate seedstocks. (Read about the Terminator gene if you want some background on the idea.) So 'The Calorie Man' is really a sort a mash-up of a bunch of different trends and ideas that were either interesting or worrisome or creepy to me."

"The Calorie Man" takes place on the Mississippi river in the heart of calorie-producing country, Bacigalupi said. "[This is] after genetically engineered plagues have destroyed much of the planet's agricultural capacity—all except for the plague-resistant corns and soys and beans, which the calorie companies have patented and completely control," he said. "Because the world is also post-oil, these companies are not just food companies, they also resemble today's energy monopolies, controlling every aspect of the calories that convert to the kinetic energy that the world now runs on. The story centers on a calorie smuggler who heads upriver to upset these energy monopolies."

Because "The Calorie Man" is currently a Hugo Award finalist, the publisher, The Magazine of Fantasy & Science Fiction, has made the story available on its Web site. New work from Bacigalupi will be appearing in both the October/November issue of F&SF and the forthcoming Pyr Books anthology Fast Forward. A new story set in the same world as "The Calorie Man," meanwhile, will appear shortly in Asimov's. —John Joseph Adams

300's Butler Got His Bumps

Gerard Butler, who stars as King Leonidas in Zack Snyder's upcoming 300, based on Frank Miller's graphic novel, told SCI FI Wire that he and his co-stars suffered bumps and bruises while sword-fighting wearing little besides leather loincloths. "There was a few injuries," Butler said in an interview at Comic-Con International in San Diego over the weekend. "At times it seemed like every day somebody else was being carted off to the hospital. There was a couple stunt men got injured. I don't know about you [turning to co-star David Wenham], but I pulled my groin at one point. And then I got drop foot, and I was flopping around, my foot was flopping around, for like six days, and then I damaged my shoulders from just doing too much, basically overdoing it."

300 tells the story of the 480 B.C. Battle of Thermopylae, in which Leonidas, the king of Sparta, led his small army against the advancing Persians; the battle is said to have inspired the creation of the world's first democracy.

Butler added that he and his co-stars underwent rigorous training in the use of ancient weapons. "What killed us the most were the swords and the shields and the spears," he said. "And that was just, like, doing routine after routine and doing it again and again, to get that strength and that stamina and also to get that form. To really look like you knew what you were doing. So there was that, and that went on for months and months, and we'd be doing that between shots, jumping off in the gym with all the stunt guys. But it was great, I mean it was a lot of fun. Especially the early days, when we were all like pretty sh--ty at it." 300 opens in March 2007.

Grudge 2 Stars Got Japanese

Amber Tamblyn and Arielle Kebbel, who co-star in the upcoming horror sequel film The Grudge 2, told reporters that shooting the film on location in Tokyo under Japanese director Takashi Shimizu and his local crew presented unique challenges. "What wasn't a challenge?" Tamblyn (TV's Joan of Arcadia) said in a news conference at Comic-Con International in San Diego on July 22. "I was really fabulously surprised to find out that you're supposed to take your shoes off when you go inside the houses for respect, so you don't track dirt in, that they would smoke inside the houses and on the sets. It's the irony of the Japanese culture, which I appreciate very much. I really had a great time just sort of experiencing a completely different lifestyle, a completely different way of doing things."

Tamblyn plays Aubrey, the younger sister of Karen (Sarah Michelle Gellar) from the first Grudge movie, who has come to Tokyo to find out what happened to her sister. Kebbel (John Tucker Must Die) plays a wallflower schoolgirl who is taken to the Grudge house by her classmates in a storyline lifted from the original Japanese film Ju-On, which was the basis of the series.

Kebbel said that her own culture shock started with the language. "The language barrier ... has a bearing on the time, because everything takes twice as long," she said. "But I think also, depending on your mindset when you go up there, that can also be one of the greatest gifts about working over there, because ... nothing is like it is here. For me it was interesting going over there, ... even though you know we do what we do here, which is make movies, and you show up on set every day whether it's on location or in a studio, and you're kind of used to a routine. You get out, you change, you go to hair and makeup, you get your food, you rehearse, whatever, and over there, their tradition is completely different. So I think for me in the beginning that was kind of a difficult change, because I wanted to embrace as much as possible, but it required change on my part to learn and accept those things." The Grudge 2 opens Oct. 13.

ABC Dropped Invasion Reluctantly

ABC stuck with its SF series Invasion until the very end, with hopes that it would eventually find an audience, but network president Stephen McPherson told SCI FI Wire that it eventually had to cut the series loose after a dramatic drop in audience.

Even with a lead-in like the hit show Lost, Invasion suffered a dramatic downturn in viewers, and ABC decided not to renew the alien mystery series, though it attracted about 10 million viewers a week. McPherson said in an interview at the Television Critics Association summer press tour in Pasadena, Calif., last week that he is aware that some fans were angry about the decision to pull the heavily serialized drama before its storylines were wrapped up.

"The difficult thing about serials is that, you know, a lot of times you have these mysteries that are set up, and there is a loyal fan base, however small sometimes, that is watching," McPherson said. "It would be great to be able to close up all those mysteries when a show just isn't working, but in the case of Invasion, we wanted to stick with it. We felt like the work was really good and stuck with it till the end."

McPherson added: "I hope that viewers will give the next serialized show a shot, but I think it raises the bar for how good serials have to be, because I think people are only going to make an appointment and commitment to a certain amount on the air." —Mike Szymanski

Longoria Headlines Dead Fiance

Eva Longoria, Paul Rudd and Lake Bell have signed on to the supernatural comedy film How I Met My Boyfriend's Dead Fiance, Variety reported. The Gold Circle Films picture will start shooting Aug. 24 in Hollywood, with Jeff Lowell making his directorial debut, the trade paper reported.

Lowell's script centers on a female psychic (Bell, late of NBC's Surface) who falls in love with a skeptic (Rudd), while the ghost of his dead fiance, played by Longoria, tries to keep them apart.

Longoria will juggle her duties on Dead Fiance with her role on ABC's Desperate Housewives. She got the go-ahead from the network to sign on for the film by agreeing to work weekends on the film and weekdays on Housewives.

Time's Up For Space

Gordon Linzner, publisher of the magazine Space & Time http://www.cith.org/space&time.html , told SCI FI Wire that the magazine will cease publication with issue number 100, capping more than 40 years of publication. Issue 100 will "be about three times the size of a regular issue, probably completely bankrupt me, clean out the inventory and make a useful doorstop," Linzner said in an interview. "Who's in it? P.D. Cacek, Jeffrey Ford, [Douglas] Empringham, many of the old standbys and quite a few new people, too."

Linzner said that he was proud of the sheer quality of the material that Space & Time was able to publish over the years, despite being such a low-paying market. "[I'm also proud of] the fact that I did publish early work, sometimes the first work, of many well-known writers today: Kevin J. Anderson, Josepha Sherman, Jeffrey Ford, Carl Frederick, Charles de Lint, Charles Saunders, etc.," he said. "It's still satisfying at conventions when someone comes up and tells me I published their first story. I wasn't really looking to make the big discoveries."

So what makes a story a Space & Time story? "I liked to say I was looking for stories that [you] wouldn't find [in] the main genre magazines, which often but not always translated into mixed genre material," Linzner said. "You know, this is too SF for one mag, too fantasy-ish for another, and too much like a western for anyone!"

The magazine started in the spring of 1966, when four high-school kids—Lawrence Lee, John Eiche, Nestor Jaremko and Linzner—pooled their resources to purchase a second-hand mimeograph machine, Linzner said. "[We were] looking for a way to do a small edition of simple comic strips starring a character named Edgar. ... drawing on mimeo stencils proves to be harder than it looks. Typing, however, proves easier, and since we all enjoyed writing weird stuff, we put together Space & Time number one as an 8 1/2-by-11-[inch] mimeo magazine and sold [it to] a few to classmates," he said.

From those humble beginnings, the magazine grew and evolved over the years. "With the third issue we discovered affordable offset [printing] and did a half-offset, half-mimeo beast," he said. "The fourth issue was all offset, thinner, and by the fifth I was starting to get a feel for design and switched to a digest size. I was also beginning to get outside contributions from people I'd never heard of. Around this time the other three [founders] lost interest, but I obviously had too much time on my hands."

Linzner added: "At some point in the '80s I was ready to throw in the towel when an unexpected backer showed up. [Before long, however,] the backer, well, backed out, but I was too far along to quit again. ... I've got some good people helping me [these days], [but] most of the effort and expense is still on my shoulders, and it's getting to be time to move on." —John Joseph Adams

[b]Exclusive Pulse Clip Linked

SCI FI Wire has linked an exclusive clip from the upcoming supernatural horror film Pulse through its Trailers http://www.scifi.com/scifiwire/index.php?category=8 page. The clip features Pulse star Kristen Bell (TV's Veronica Mars) having a close encounter with something otherworldly.

Pulse is an American remake of the Japanese horror film Kairo, which imagines that wireless technologies have made a connection to the world beyond our own. From the creator of Scream, the movie stars Bell and Ian Somerhalder (Lost). It opens Aug. 11.

Butler Uncollars Priest

Gerard Butler, who stars in the upcoming film adaptation of the comic book Priest, told SCI FI Wire that the movie will be a "vampire western" and will begin shooting on Oct. 22 in New Mexico. "I believe it's Santa Fe, I'm not quite sure. ... This is actually ... a vampire flick, but with a real western feel to it. So it's kind of a really interesting idea," Butler said in an interview at Comic-Con International in San Diego July 22. "And [it will] be a kind of cool thing to be doing that in the desert."

Butler plays a vampire-hunting cleric who must pick up his old ways, against the will of the church, to track down bloodsuckers in a dystopic future West after his niece is kidnapped. "You know what it feels like?" Butler asked. "It feels almost like a kind of Clint Eastwood in Unforgiven. That kind of movie. Somebody who's had his day of being at his peak, and now it's past, and yet he's been called to have a bigger test than he's ever had before. So it's ... Unforgiven, Mad Max, but with the feel of The Searchers, you know, the John Wayne [movie]. It's a bit difficult to throw all those movies together to give you kind of a feel." The film is eyeing a 2008 release.

Harlin Unveils The Covenant

Renny Harlin, director of the upcoming supernatural thriller The Covenant, told SCI FI Wire that he is creating a striking visual style that audiences haven't seen from him before. "I really, truly believe that it's by far the most beautiful movie I've ever made," Harlin (Exorcist: The Beginning) said in an interview on the set of the film in Montreal last November. "And it's dark. It's very brooding and dark. There's no color in this movie. It's not blue. It's not The Matrix or the Underworld look. It's not that kind of a blue film. Besides the darkness and sort of the style of lighting, it's the framing that we are using deliberately."

Set at an elite New England prep school, The Covenant centers on a group of young warlocks known as the sons of Ipswitch. As the boys approach their 18th birthdays, they struggle to control the powers they have inherited through a family legacy stretching back for generations. Steven Strait (Sky High), Sebastian Stan, Toby Hemingway, Chace Crawford and Taylor Kitsch star as the gifted teens.

While the premise sounds similar to J.K. Rowling's Harry Potter series—and Harlin said he sometimes describes it as "Harry Potter grown up"—the film actually has more in common tonally with the 1987 film The Lost Boys, which also featured a group of supernaturally powered teens in a fictional seaside town. "That's a good reference," Harlin said, referring to the earlier film. "That was almost 20 years ago, and it was a very sort of hip, cool movie in those days. And of course we have hip, cool young guys and girls, and they live in a seaside town. And instead of vampires, we have warlocks. And we're going to have a lot of cool music. It's definitely a good reference. Except our movie is, I would say, more serious and darker. It doesn't have that sort of comic side that The Lost Boys did."

Harlin said he looked to many sources for inspiration, including classic horror films and the works of Stanley Kubrick. But there was one genre he deliberately avoided. "Of course we looked at some of the sort of teen movies to make sure that we stay away from anything that they do," he said. "I mean, all the respect to teen movies, but we don't want this to ever feel like a normal teen movie in terms of like the typical teen situations and typical dilemmas and typical somebody chasing you with a knife and all that. These guys are warlocks, and they don't deal with the normal teenage stuff like that.” The Covenant opens on Sept. 8. —Cindy White

Russell Headlines Grindhouse

Quentin Tarantino has cast Kurt Russell and Rosario Dawson in his segment of Grindhouse, the upcoming "double feature" movie he is making with Robert Rodriguez, The Weinstein Co. and Dimension Films announced at Comic-Con International in San Diego over the weekend.

Russell and Dawson are part of an ensemble cast that will also include Zoe Bell, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Marley Shelton, Tracie Thoms and Mary Elizabeth Winstead, who will all appear in Tarantino's "Death Proof," a slasher flick that is one half of Grindhouse, which will comprise two films joined by faux ads and trailers.

Rodriguez's half, "Planet Terror," will be a zombie film and will feature a cast that includes Freddy Rodriguez, McGowan, Josh Brolin, Naveen Andrews, Shelton, Michael Biehn, Stacy Ferguson, Jeff Fahey and Michael Parks.

Grindhouse will be shot in the tradition of the '70s exploitation films that have significantly influenced both Rodriguez and Tarantino.

Rodriguez is currently in production on "Planet Terror" in Austin, Texas, with Elizabeth Avellan serving as producer. Tarantino is scheduled to begin shooting "Death Proof" in Austin in August. Erica Steinberg and Avellan are serving as producers. Grindhouse will be released in theaters nationwide on Easter weekend, April 6, 2007.

Macdonald Chronicles Mutant

Scottish actress Shauna Macdonald (The Descent) told SCI FI Wire that she's just completed work on the big-screen version of The Mutant Chronicles, based on the role-playing board game that previously begat a video game, several novels and a pair of collectible card games. The film is directed by Simon Hunter, whose credits include the horror film Lighthouse.

"It was loads of fun," Macdonald said in an interview while promoting The Descent. "I acted with Thomas Jane, and John Malkovich stars in it as well. It's set in the future, where four corporations are fighting. The world has been broken up into four corporations that are now in a war. Then a big bomb goes off, and it goes off in a shield that reveals this machine that turns dead or dying soldiers into mutants. It's brilliant. It's based on the video game, and it's going to be phenomenal. I play the wife of a soldier. I'm so bad at saying things without telling the whole story. I play a soldier's grieving wife. That's what I play."

In addition to Jane (The Punisher) and Malkovich (The Hitchhiker's Guide to the Galaxy), the cast also includes Stephen Rea (V for Vendetta), Benno Furmann (SCI FI's miniseries Dark Kingdom: The Dragon King) and Ron Perlman (Stephen King's Desperation). A 2007 release is planned. —Ian Spelling

Evil Heated Up In Mexico

Spencer Locke, a 14-year-old who voices the girl Jenny in Monster House, told SCI FI Wire that she got a preliminary taste of global warming when she was in the desert shooting Resident Evil: Extinction a month ago.

"We shot in the desert in Mexicali and shot there in seven weeks," Locke said in an interview. "It was really hot, and one day it was 144 degrees. It was off the charts. In the shade it was 125—in the shade! And I had never done a location shoot before, so it was amazing anyway."

The heat that the country is now feeling is nothing compared to being out in the desert, Locke said. In the third installment of the Resident Evil series, written by Paul W.S. Anderson, Locke plays one of the Raccoon City survivors named Kmart. She joins other characters—played by Mike Epps, Ali Larter, Ashanti and Oded Fehr—as they cross the desert and try to make it to Alaska. Of course, they are joined by Alice, played again by Milla Jovovich.

"About three weeks ago I got back from Mexico filming, [and] it was an amazing experience," Locke said. "It was definitely weird at lunch and looking across the table and seeing a gross undead right there. ... I know from the Internet there are some really big-time fans out there. I don't think they'll be disappointed. ... The crew is still out there shooting, I believe, in Mexico City. The whole thing was awesome. It was really cool." Well, not cool, maybe, but rather hot. The film is expected out by next summer. —Mike Szymanski

Highmore Stars In Spiderwick

Freddie Highmore and Sarah Bolger have been cast as the Grace children in the fantasy film The Spiderwick Chronicles, based on the best-selling books, which Paramount Pictures and Nickelodeon Movies will be shooting Sept. 12 in Montreal, according to The Hollywood Reporter.

Mark Waters will direct the film from a screenplay by John Sayles, based on Holly Black and Tony DiTerlizzi's books. In the movie, the three Grace children move to the ancient Spiderwick mansion, where they discover Brownie, an enchanted creature who introduces them to a world of goblins, fairies and sprites.

Highmore will play the dual role of the troubled Jared and his bookish twin Simon. Bolger will play their sister Mallory.

Highmore has appeared in Finding Neverland and Charlie and the Chocolate Factory. Bolger appeared in In America and will next be seen in Geoffrey Sax's Stormbreaker.

[b]BRIEFLY NOTED

Filmmaker Guillermo del Toro (Blade II, Pan's Labyrinth) is crossing over to television with an overall deal at 20th Century Fox Television to develop and executive-produce one-hour series projects for the studio, according to The Hollywood Reporter.

Walt Disney Feature Animation is developing The Frog Princess, a fantasy film that the studio plans to produce in traditional 2-D style, rather than the 3-D computer-animated method that has become ubiquitous recently, Variety reported.

Screen Gems has set a Sept. 7, 2007, release date for Resident Evil: Extinction, directed by Russell Mulcahy and written by Paul W.S. Anderson, based on the video-game series.

The new James Bond movie Casino Royale will make its world premiere in London on Nov. 14 at the Odeon Leicester Square for the Royal Film Performance, with all funds raised going to the Cinema & Television Benevolent Fund, the Reuters news service reported.

IMAX Corp. and Sony Pictures Entertainment announced that the upcoming superhero sequel film Spider-Man 3 will swing into both conventional theaters and IMAX theaters on the same day, May 4, 2007.

Fox announced that guest stars on upcoming episodes of its animated series The Simpsons will include Kiefer Sutherland, Natalie Portman, Michael Imperioli, Joe Pantoliano, Joe Mantegna, rock band The White Stripes and Dr. Phil McGraw, as well as famed authors Tom Wolfe, Gore Vidal, Michael Chabon and Jonathan Franzen.

Warner Brothers Home Entertainment Group and Apple announced that it will post on iTunes the never-before-seen pilot for Aquaman, which was not picked up by The CW network, as well as episodes of Babylon 5, The Jetsons and The Flintstones, among other programming.

The official Web site http://www.flushedaway.com/flash/index.html of DreamWorks/Aardman's upcoming animated comedy film Flushed Away, starring the voice of Hugh Jackman, has gone live; the movie opens Nov. 3.

SCI FI Wire was among the nominees for Best Web Site for the 2006 SyFy Portal Genre Awards http://www.syfyportal.com/genre-awards/2006/index.php , chosen by popular vote until Aug. 22.

The remains of actor James Doohan, who played engineer Montgomery "Scotty" Scott on Star Trek, will be blasted into space in October, the company organizing the flight told the Reuters news service.

Mako, the Oscar-nominated actor and advocate for Asian-American actors who was perhaps best known to SF&F fans for his roles in the Conan the Barbarian movies, died July 21 of esophageal cancer at his home in the Southern California town of Somis, the Los Angeles Times reported. He was 72.

fulltimer56
08-01-2006, 02:16 AM
I just knew that ABC would end up dropping the series Invasion!!! :x

It's also sad that Mako has passed away!! I even liked him when he played a bad guy!! :-(

Linda

Hoss
08-01-2006, 03:22 AM
Another great update, Linda! I especially liked the Spidey 3 updates.

mordo
08-01-2006, 06:04 AM
me too! :-D